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ue Note Label recording company and it had a unique characteristic of being comprised of young players such as Bobby Timmons and Lee Morgan who played for the band in their early twenties . The band leader Art was commonly known for his hard hitting style of drumming and together with his band he made a revolution of bebop and later oversaw its transition into hard bop style of jazz (Lesslie 23). They toured many parts of the world such as the Netherlands, Japan, France and Belgium where they enjoyed a large fan base.
In 1958, the band made a memorable live performance in Brussels Belgium where they performed tracks such as “Just By Myself”, “Moaning”, “I Remember Clifford”, “A Night In Tunisia”, “It’s You or No One”, “Whisper Not”, and “NY Theme” (Lesslie 36). This paper will focus more on the performances of the first four listed tracks, giving a vivid description of the performance, the various jazz styles the players incorporate in each of the tracks and also the role of the instruments used in the tracks.
“Just By Myself” was a live jazz performance in 1958 by Art Blakey & the Jazz Messengers in Olympia Paris. A Benny Golson’s composition, “Just By Myself” was the opening performance of the Olympia concert.
The band members are looking sharp with black suits. The five-minute performance starts right on the melody by a powerful drumming by the band’s leader and drummer Arthur Blakey who is rested sitting behind a Gretsch sparkle set. The song’s style is soft jazz and the piano sets the mood for smooth transitions of the bass guitar and the piano. Lee Morgan is the first soloist, his pitch and tone is spot on for twenty-year old musician. Benny Golson’s who is the second soloist starts with his famous long lines and quickly progresses with short quicker ones. He appears forceful, but rich in content. Bobby Timmons who is the final soloist appears more boppish than usual, but his skill on the keys is exceptionally
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This jazz piece was performed live in Belgium in the year 1958. (Unterhose123 2012) Brief Report on the Performance of “Blues after Dark” This composition is based on a minor scale. The root or anchor note of this composition is F. the starting chord of this composition is F minor.
tening with all of one’s senses” ("Developing effective communication," 2007) which exemplifies the importance of the process as of being more than just hearing. In an effort to understand and integrate effective listening skills; I recorded an interaction between myself as
After carefully going through the video the group techniques that can be observed are collective riffs where certain portions are repeated by a section and then there are soloists who do their piece in turn with others from other sections. The head riffs, which refers to the
The pianist starts playing the keys setting the groove and the tone for the music piece. The bass comps at a low pitch. The technique used is that of slap on the headpiece. The drums keep the pace or groove for the performers and also play the
Stride piano reveals the piano-like features of soloists playing the bass. Basie’s piano appears as if it is practicing some modest type of piano expression (Ventnor43 2012). The instrumental role of the base is a ride pattern. The
The Trumpeter pushes the limits of the trumpet as he plays fast and melodic lines in all of the instruments registers. This creates a fast and nimble feel to the composition and gives the characteristic cool feel of the song. The trumpet provides the trendy fast tune from
There was comping all through the song by the piano. The double bass provides a walking bass effect together with the drum set. It was plucked to every drum beats from start to the end of the song. There is also some ride
My listening behavior at the service center was not very good as I tried to persuade. I did not listen to the viewpoint of the support official properly and kept on saying that the cell phone had already some bug in it. However, I managed
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