The concert was arranged in the garden of the national gallery in Berlin, Germany. A total of 1200 people attended the concert. The name of the artist was Astor Piazzola and quintet and the song that was sung was Milonga…
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Milonga de Angel was a deviation from the conventional style of milongas in that it was a really slow tango. Another example of a milonga that is slow like Milonga de Angel is Milonga Triste by Sebastian Piana. Astor Piazzola made the milonga rhythm an integral component of his individualistic style that reflected in the song. Astor Piazzola has essentially infused a rhythmic pattern of 3+3+2 which tends to give a new dimension to the milonga rhythm. Milonga de Angel is one of the most popular songs of Astor Piazzola which attracted immense American following. It was a tango performance. Instruments used for the music of this song included accordion, guitar and piano. It was one of the slowest pieces of tango music that I have heard in my life. Although the instrument was played with perfection, yet the overall feel that it lent to me was boring. It was a slothful song and the overall effect was lost in the excessive use of instruments.
The performers did their job in the perfect manner. The performers were so well prepared for this song that it felt as if they had been practicing it for years. It is not quite easy to perform such a slow song live on-stage, but the perfection with which they presented it provided evidence of their practice and hard work. One of the instruments that seemed particularly difficult to play was the accordion, but the performers were too well prepared to make any error. While performing, the performers did not communicate with the audience and were rather totally focused on the music, which was one factor that made this concert different and special than the conventional concerts in which the performers engage with the audiences from time to time to keep their interest and zeal elevated. Despite that, the audiences never seemed to lose interest which speaks of the quality of performance.
The audiences enjoyed the performance a lot. Frequently in between the songs, some people randomly would be overcome with
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I took a seat quite near the stage where the musicians performed and this made it all the more interesting watching the concert from close quarters. The concert conductor was Emmanuelle Haim and the artists performing at the concert were the Los Angeles Philharmonic and the Soprano Sonya Yoncheva.
The hall was already full when I arrived, which was what I expected least. At the start of the live concert, the New Horizon Brass Ensemble headed by Kate was seated on the podium; women wore black dresses or pants, and males in the band wore tuxedos. Kate, who was the band leader and concertmaster, came out to coach the band, while the conductor entered the hall to make a brief introduction of the performance that was almost to be staged (Range & Smith, 1999).
The concert by ‘The Stony Brook Symphony Orchestra’ took place at 8.PM sharp on Saturday, 9th March, 2013. The Concert Conductor was George Manahan . The program comprised of ‘Scherzo a la Russe’ (1945) by Igor Stravinsky (1882 -1971) a ‘Viola Concerto,’ Op.37 (1979) by Miklos Rozsa (1907 – 1995) and the Concerto Competition Winner for 2011 – 2012 – Chieh – Fan Yiu, Viola that took place before the intermission and this was followed by ‘Enigma’ Op, 36 (1899) by Edward Elgar (1892 – 1955) comprising of ‘Variations of an Original Theme for Orchestra.’
res in the music industry, as well as, lecturers in music at well renowned colleges, the concert was the talk of the week well ahead of its actual dates, and I just could not wait for it. No advance tickets were availed, and all the attendants had to obtain them at the entrance.
e Ossetian excitement of Valery Gergiev might well seem an unlikely combination, but this coupling of two range standards offers attractive, well-balanced readings striking for instrumental delicacy and orchestral feelings. Overall, the concert sounds very well due to
The tickets for the concert were available at the Royce Hall web site, where each ticket was selling cheaply at $25 for students with identity cards. The event started at 7 PM as scheduled with director Jeffrey Kahane conducting two double concertos as a pianist
The first two compositions affected me in absolutely different ways taking me to emotional stages which are not the same due to my personal circumstances. The third composition was a culmination of the concert which made me close the eyes and stay till the audience had left. The most intimate moment was when the last notes were in your heart.
The performance space was small with a limited number of seats to be occupied by the guests. There was a small place provided for the composers with a projector in the middle of stage. A seat was provided for the piano
ming soar but since she participated and won the second place in the Chinese reality singing competition I AM A SINGER by Gloria Tang Tsz-kei, we were still surprised that her debut and rhythmic concert still sold out very quickly, she had to add a second and third show to
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