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Another important role in the music/audio industry that requires music technology and audio recording skills is the role of the Sound engineers. They must also possess the ability to recognise and describe the quality of musical sounds and other sounds, in order to be able to adjust and balance these sounds creatively. “Sound engineers also need to listen for different types of distortion. Music producers need to listen for intonation and timing problems, and DJs need to refine their listening skills in order to match speeds and keys and to recognise points at which to mix.” (http://www.wolvcoll.ac.uk/international/courses/music_tech.html) When working in the audio/music industry, whether as a recording or creative artist, or even in a managerial or supporting role, it is vital to plan and work towards the production of effective final studio products, so that these products can be marketed to the right target audience. Thus, during the planning of a recording session, or any music project, “effective teamwork is essential and is only possible when everyone involved understands the process.” (http://www.ehow.com/way_5471252_effective-teamwork-care-settings.html).
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Today, Jamaican music is very popular outside Jamaica and as such, its artists are famous in many countries all over the world. While music industries in other countries are usually sidelined as insignificant to their economies, the Jamaican government safeguards its music industry as it is a major player in the country’s economy.
This essay describes how digital era affected music industry. The recorded music industry has been shrinking. Although it has been shrinking, consumption of music is higher than it was ten years ago, especially led by technological advances. The record music industry’s total revenue declined from $8 billion in 2012 from $18 billion in 2000.
This has created both threats and opportunities to those in the music industry. Artists, labels, retailers, and consumers are all taking a closer look at the roles they will play. Although it is widely believed that consumers will be slow to adopt digital downloads over physical media such as compact discs, musicians, retailers, and independent record labels can position themselves to benefit from this emerging new business model.
Almost all these people depend on the sale of that CD to earn a living. Therefore, if there are other avenues of accessing their music without payment, then those stakeholders will be adversely affected. It is almost futile to try and
The author of the essay touches upon the deeds of Betty Friedman. As it is stated in the text, born and brought up in the USA, Betty Friedan is one of the most enduring feminist activists of contemporary times, whose works and efforts have been confined to her specific circle of her friends and companions only.
This decision is representative of a profound strategic shift in the music industry, which has already litigated over 30,000 individuals since 2003 (Yar, 2008: p44). This legal approach was criticized for its inability to stem illegal music
Competition in the industry has increased tremendously, with entry of multiple artists and different genres as well as digitisation of music (Vaccaro and Cohn, 2004). According to Molteni and Ordanini (2003), the dimension of music industry has altered drastically with
The modern discursive framework explains that there are new ways in which music can be produced and culturally developed. Through this recording, the different aspects of the culture and society are used and applied to create an impacting sound.
If music is unrecorded, it will evaporate as soon as it is produced. Musicians seeking life’s ephemera have long looked for ways of recording and producing the pieces (Holmes, 2012). A recorded music allows one to listen again and again hence becomes familiar with the details that might have been lost in the first listening.
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