The Concert Jazz Icons - Essay Example

Art Blackey had his drums on the performance, Benny Golson had a sax, and Jymie Merritt had the bass. The piano was played by Bobby Timmons and the one responsible for the trumpet was Lee Morgan. Different songs were played totaling seven which included NY Theme, A Night in Tunisia, Just by Myself, Moanin’, I remember Clifford, Whisper Not and It’s You or No one. In this write-up, only four songs will be sampled for the report which are Just by Myself, Moanin’, I Remember Clifford and A Night In Tunisia. The concert Jazz Icons: Art Blackey & the Jazz Messengers was filmed in Belgium in 1958 and its length was 55 minutes.

Report on Each Song
1. Just By Myself
The style used in this music is the jazz genre. Different instruments were, however, used and played by the performers for various roles. Among the major roles are to convey a rhythmic tone in music. In playing jazz, the rhythm ensembles bands which give a structured body of the music. In Just by Myself, a typical rhythm is justified by the use of a drum, piano, bass, and other horn-playing instruments like trumpets.

In the music field, the instrument used in a section of rhythm varies depending on the style used and the era (Randel, 560). Just by Myself was a jazz lyric and so the instruments used had every role in portraying its band. Although most of the instruments used in the music played major roles in backing up some parts of the songs, some provided other musical importance. It is a norm for some instruments used in music to play soloistic roles in a given event or even play a melodic role. They prominently framed the music well as they provided background music for the singers. This makes them valued in the music concert as they are also, underpinned for good performance.

In the song, therefore, drums played by Art Blackey supplied a rhythmic pulse for the music while Jymie Merritt played bass which enhanced a harmonic foundation for the music with a baseline. Drums also were used in the complex and challenging parts as well as in introduction roles. The drummer keeps exchanging other short solo sections with the trumpet players, which was played by Lee Morgan. Bobby Timmons also led the piano playing where they were alternating the roles of performing the improvised solo verses.
In this music, Lee Morgan was the soloist as his lines and ideas streamed for one not to forget. His tone was very clear and spot on as he gives a focused point for one to note. He is a remarkable soloist, especially at his tender age of 20 years means a lot in the music industry. This reminds me of the author of the lyrics, Benny Golson, especially for his lyrical tags which were rich in melody content. The solo was a successful act as it embraced the jazz band by the team and is something one can admire for years.

2. Moanin’
Moanin' was a jazz genre that included the ever-greatest music produced by Blackey in the studio. Piano, played by Bobby Timmons purely tuned the selection title with a bluesy stewed melody. A sax played by Benny Golson slowed the statistical motion in a militaristic manner to march the blues, justifying the professional jazz in the concert. A suit of thunders of drums followed played by Blackey in quick blasting rudiments which reigned on high as the sighs of horns were heard resulting in hard bop. The staccato rhythms contrasted with the light-hearted refrains. The arrangement of the lyrics satisfies the audience making Moanin’ rank the best of the Blakey. This also justifies what modern jazz offered in and after the 1950s.

3. I Remember Clifford
This jazz lyric is a tribute to Clifford Brown. In soulful intonations, Lee Morgan embodies the essence of the approach styles used by Brown. Timmons also tickles reaching the Blackey’s repertoire. Golson gestures in his feet when counting numbers inconspicuously. The band changes tacts by using movements instead of some instruments to convey the message. They demonstrate their insights and depth as balladeers. The horn section fuses at the same time to create a singular sound led by Morgan.

4. A Night In Tunisia
This was a concluding cover of the jazz concert. Blakey adjusts his drum kit while the rest; Golson, Timmons, and Morgan discard their rhythm section briefly. The drum becomes the underground pulse as Blakey was left to show off his skills. The concert was enjoyable and a powerful performance. Read More