Art is wide expanded range of activities by humans and the product of those same activities. There are many different forms of arts; music is one of the arts that a great person by the name Stravinsky practiced in the early 20th century…
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Igor Fyodorovich Stravinsky was a Russian composer, pianist and also a conductor. He is considered to be one the most important composers during the early 20th century. His great reputation pushed through revolutionary boundaries of the musical design. His works and the works of other people from that period, mostly made use of traditional music forms. An example of this is the concerto Grosso, symphony and fugue (Bell 25). This was often to pay tribute to the form of music of the earlier masters like Tchaikovsky. Stravinsky’s professional life, which was at most in the 20th century, included many of the modern classical styles of music. Most composers who existed during his lifetime and those after were greatly influenced by him. He has the great desire to learn art, literature and life (Bell 25). Stravinsky was named as one of the truly epochal innovators of music. Aside from the technical innovations, which consisted of rhythm and harmony, the “changing face” of his compositional style was the most imperative feature of his work. It retained a distinctive and essential identity all the time. Primitivism is known in art as the style of works of self-trained artists who build up their talents in an imaginary manner, as in the paintings of Henri Rousseau and Grandma Moses. The phrase primitive has also been used to portray the style of time before American naive painters as Edward Hicks and has been practical to the art of the mixture of Italian and Netherland schools, which were formed before late 15th century. Recently, the term has incorporated the contemporary artists who research the earlier periods and the cultures far-off to their own like Robert Smithson and Joseph Beuys (Bell 25). Primitivism is a western art movement that has copied different visual forms from the non-western or the prehistoric peoples (Bell 25). The act of borrowing from primitive art has been very vital to the improvement of the modern art. For a long time, the debate to get back to the basics and try to simplify things has been on. This looks at the advantages and disadvantages of simple verses a complicated life (Bell 25). The key elements of the overall primitivism as a basic function of art and development in and around the turn of the century will be articulated so as to be understood. Different art forms using principles of new developments and technologies In the modern society, with the new innovations, improved tools like computers have been incorporated in the basic art. Work of contemporary artists’ is evaluated using the computer and digital imagery by using a variety of formats. Many people are viewing these aspects of the modern technology to be complex and prefer to practice the earlier forms of art. The modern European and Euro American representational conventions are mostly inspired non western art and artifacts (Bell 25). This trend toward the greater use of technology as a creative tool will probably continue into the future, but with different forms (Bell 25). The reason behind this is due to the perspective that, individuals have on the technology that is now at hand. Technology has mostly made the work of the artists to be easy and simple, in terms of design and storage. Stravinsky’s use of motivic development, which is a repetition of different guises of musical figures throughout a composition, includes motivic development. This is essentially where notes are added or subtracted to a motif regardless of the consequent changes in metre. The same technique can be seen being used in the 16th century. For example, this is depicted in the music of Orlandus lassus, Carlo Gesualdo and Roe Cipriano (Hiller 56). Stravinsky maybe the only great composer, who managed to come up with a
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The social movements in music, as well as the reflections of the environmental conditions, such as through politics, also affect the way in which different composers express themselves. Igor Stravinsky is one of the composers who reflects the external environment with his works from 1914-1918, specifically because of World War I. The musical theories during this time change to reflect the political and social environment while expressing the destruction which was a part of Germany during this time.
The artist conforming to the ideals of primitivism corresponds to the art works of previous cultures and portrays its analyses in the face of modern art. Exoticism, on the other hand, is the manifestation of foreign pieces of arts by foreign artists. The factor which makes an entity foreign is highly dependent upon the internal organism of a certain culture which includes its norms, mores, folklores, history, aesthetics and arts.
The essay analyzes the Primitivism and the art of Paul Cezanne. His works challenged the values held dearly by the 19th century art world. He remained faithful to his concepts of personal expression and the integrity of the painting itself. He had a unique manner of putting in canvass what his eye saw in nature.
Though his father was a bass singer at the Mariinsky Theater in St. Petersburg, Stravinsky originally studied to be a lawyer. Composition came later. In 1902, at the age of 20, Stravinsky became the pupil of Nikolai Rimsky-Korsakov, probably the leading Russian composer of the time.
This paper gives a review on primitivism movement. It was popular in intellectual circles in 20th century German society and was the primary inspiration for the movement called “Expressionist” art. The term has been used as a stylistic label denoting and accounting for the quality of distortion and exaggeration of forms found in the work of any artist.
The desire to move away to the "outworn conventions of old and dying way of life (Lebrecht 15)" and the determination to move away from the old tradition of compositional styles made way for the remarkable composers to draw their inspirations and musical ideas more and more from their own personal and internal psychological experiences (Lebrecht 15).The years between 1900-1914 are one of most significant in the arts history. It produces a series of musical developments abandoning the realist tradition, i.e. the common practice period1 that had dominated the Western tradition since the Renaissance (Lebrecht 15).
This essay explores Paul Gauguin's art. He was the father of primitivism. The climate within cities focused almost exclusively on sight and sound, ignoring other senses almost completely and refusing to acknowledge the importance all of our senses play in our full experience of life has led to a society that feels empty of everything.
This hall is especially designed for various dances, music and other musicalperformances.
This event was arranged by Utah State University’s Music department.The main purpose of event was to celebrate the 100th anniversary of Stravinsky’s ‘Rite of
The play has a mythical theme, which is always difficult to perform on the stage, but it is always intriguing enough to captivate the spectators. Igor Stravinsky was a Russian composer; his version of Oedipus Rex was
This magic is passed from generation to generation. People should be interested in the music and not to forget the people who created it. This essays talks about the two personalities, great composers, Igor Stravinsky and Arnold Schoenberg. The main discussions here
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