Nobody downloaded yet

Compare Musical and Opera - Essay Example

Comments (0) Cite this document
This paper is going to compare two genres of musical expression - opera and musical. The prehistory of these genres is different so we will try to discuss it and find these differences between each other. …
Download full paperFile format: .doc, available for editing
GRAB THE BEST PAPER92.6% of users find it useful
Compare Musical and Opera
Read TextPreview

Extract of sample "Compare Musical and Opera"

Download file to see previous pages In comparing Musical and Opera, one can base the argument relating to their source, historical background, development and their evolution. However, this paper shall discuss the key features that compare Musicals from the Operas. In the present time, people fail to provide a clear distinction between the two, and instead define any form of entertainment performance with music as musicals, and some famous music singers confuse their musicals with Opera (
Musical theaters currently referred, as ‘Musicals’ is a style used in theater, whereby the songs, dances, and oral dialogue integrate to narrate a story. In the contemporary world, a musical takes various forms as long as it aims at narrating a story. For that reason, musical could be a stage performance, a film/television presentation and it combines the modern and the known music styles and discourse in narrating the entire story ( Opera is classified under a certain form of theater, in which a musical group and singers incorporates sheet music and “libretto” also known as the text in contemporary language to narrate a story. On the other hand, performance of musicals takes place in theatres. Presentation of musicals could be staged or televised. ...
Another key difference between Musicals and operas is in terms of language used. While performing musicals, the audience understands the performance language. For instance, Musicals developed in England and America is performed in English regardless of whether the developer comes from non- English-speaking nations. Together with that, the singing, dancing, and dialogue follow the rules of the popular music, popular dance styles, and the modern dialogues. Musicals have three major characteristic; the brain, the heart and courage (Kagen, 1968). The Brain – in order to perform musicals, the developer should have required intelligence and necessary writing style. On the other hand, the heart calls for the genuine feeling while developing the story, and lastly, courage calls for one to have the ability, creativity, and boldness in presenting something. This is very different from an Opera, in that, there is comprehensive training of the singers, classical singers in this context, and they are required to memorize and present the song without making any translations ( In addition, there are numerous well-known opera styles in different languages, for instance, the Italian Opera, the German Opera, Russian opera, French opera, and lastly English–language opera. The performance of each Opera takes a different style ( Based on their production, musicals and Operas portray many differences. First, Opera upholds music as the livelihood of production, whilst musical depends on text written and the story narrated. In the modern time, the Operas are established on classical music. It relates the way one would visualize the Mozart’s classical music ...Download file to see next pagesRead More
Cite this document
  • APA
  • MLA
(“Compare Musical and Opera Essay Example | Topics and Well Written Essays - 1000 words”, n.d.)
Retrieved de
(Compare Musical and Opera Essay Example | Topics and Well Written Essays - 1000 Words)
“Compare Musical and Opera Essay Example | Topics and Well Written Essays - 1000 Words”, n.d.
  • Cited: 0 times
Comments (0)
Click to create a comment or rate a document

CHECK THESE SAMPLES OF Compare Musical and Opera

The difference between Musical and Opera

...?What is the difference between Musical and Opera? In making an investigation on the difference between Musical and Opera, the most stimulating outcome is that it makes a significant contribution to the popular culture’s knowledge of the genre called classical opera. In the modern popular culture, the terms Musical and Opera are often interchangeably used to denote any art form intermixing dramatic works and musical score. For example, Kaspar Hauser, a Musical performed at The Flea recently, was called “A Foundling’s Opera”, clearly indicating the need for a thorough...
1 Pages(250 words)Essay

Beijing Opera

...?Beijing Opera Culture relates to the specific way of life of a given group of people. It relates to the language of communication, beliefs, norms, social activities, arts & sciences, spirituality, social interaction, and line of thought. Also known as, Peking opera, Beijing Opera represents the finest combination of literature, music, mime, dance, martial arts, fine arts, in China. This traditional Chinese theatre differs from opera, pantomime, and drama and puts more emphasis to 'Chang (Singing)', 'Nian (Speaking)', 'Zuo (Acting), and 'Da (Fighting)'. The Beijing Opera originated from the middle period of the Qing Dynasty (1644-1911)...
5 Pages(1250 words)Essay

Soap Opera historical memory and Coronation Street's representation of community a nostalgic fantasy' (1995). With this regionalism that is built into the commercial television system, all British soap operas that followed became more geographical and cultural in scope and setting such as the: 'Crossroads (1964-88) in the Midlands, Emmerdale Farm (1972--) in the Yorkshire Dales, Brookside (1982--) in Liverpool, and the BBC's successful entry in the soap opera field EastEnders (1985--) in the East End of London.' British soap opera has been 'more specific and explicit in their social and class settings' compared to the Americans. Because of this, British soap...
10 Pages(2500 words)Essay

Musical Eras

...). THE TROUBADOURS (Book Review). Comparative Literature, 53(1), 88. Retrieved December 12, 2007, from MasterFILE Academic Premier database. The History of Music, Second Edition: Later Romanticism. (2006, October). Library Media Connection, Retrieved December 12, 2007, from MasterFILE Academic Premier database. Lipkis, L. (2003, December 15). Aaron Copland: A Reader: Selected Writings 1923-1972 (Book). Library Journal, 128(20), 120-120. Retrieved December 12, 2007, from Academic Search Premier database. Marcus, K. (2007, Spring). I Dream a World: The Operas of William Grant Still. Journal of African American History, 92(2), 305-307. Retrieved December 12, 2007, from Academic Search...
6 Pages(1500 words)Essay

Beggar's Opera

...Gay-Opera Only in a society that one can distinguish the merits and demerits of a man. The history of literature itself shows that copious literary creations are born when the contemporary society needed it. Gay’s Beggar’s opera was, no doubt, such an attempt and was a great success. The theatre goers of London were tired of Italian opera that had been dominating English stages for at least two decades. Beggar’s opera was a relief and it offered a new kind of mockery of domestic origin in which the contemporary political cultural and social circle of London was drawn perfectly. John Gay paved the way for a new theatre genre with the creation of Beggar’s opera that still exist today... . The...
5 Pages(1250 words)Essay

Musical Theater

...and dialogues together. In opera it is known as the libretto which mean a concise book in ltalian. The creative team of any musical have the responsibility to interpretate the musical in such a way that it influence the audience to a great extent. (Miller, 34) The creative team of each production consists of a musical director, director, orchestrator and choreographer. The technical aspects of musical production include props (the stage properties), set design, sound, lighting and costumes. These technical aspects change from one production to the other depending on the story. The book musical usually do not have fixed length. It can...
4 Pages(1000 words)Research Paper

Salome opera

... of the of the Concerned Visual Arts and Film Studies 19 January Salome Opera (2008) and The Skin I live In – A Quest for Love and Sexual Identity Love and sexual identity have been the quintessential themes of all the creative art forms since times immemorial. Perhaps it is so because these two concepts constitute a basic instinct in most humans. Hence, in the same vein, Salome Opera and the movie The Skin I Live In tend to grapple with the themes of love and sexual identity. So much so that these two works of art tend to configure a modern definition of love and sexual identity. The modern notions of love and sexual identity tend to rebel against the social and natural constraints, which obstruct the natural expression of love... and...
2 Pages(500 words)Essay


... Opera Movie Introduction Madam Butterfly as presented by Giacomo potentially had much to offer. To analyze the piece the essay will focus on the music aspects and the manner in which the masterpiece was presented. The analysis will bear in mind the technique deployed by the presenter and other aspect accompanying the recording. Before the viewing the recording it was evident that the performance would present many elements of fusion and genre approach will lay the base of the movie The main plot summary would essential as it will be a factor in comparing the musical element presented in the video clip. The previous notions will be compared to the real performance as displayed by the video recording. Plot summary The opening act... ...
2 Pages(500 words)Movie Review

Compare differences of history and performance styles between Italian opera and Chinese opera

...talking much. Some popular types include Italian and Chinese Opera. The essay compares the differences in history and performance styles between Italian Opera and Chinese Opera. The development of different period Italian opera Even though opera did not originate in Venice, its development in Italy was stimulated by the nurturing environment that existed in a serene republic. A good percentage of Europe’s music was dominated by the Italian opera during the seventeenth and eighteenth centuries (Kimbell, 2004, p.238). The bourgeoisies would regularly commission huge and interesting pieces of work that...
14 Pages(3500 words)Essay
sponsored ads
We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.

Let us find you another Essay on topic Compare Musical and Opera for FREE!

Contact Us