This is a piece of classical music performed by noted musician Yo-Yo Ma. The instrument it is performed on is a classical cello with no accompaniment. The piece has a very smooth sound and excellent transition between sections of it, and very clean, concise sounds…
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Furthermore, it is beautiful to hear a single unaccompanied instrument, which really brings the focus down to the skill of the individual musician and the abilities of the instrument. The second piece is a piano piece entitled Adagio Sostenuto performed by Daniel Barenboim It is by enlarge soft and delicate. The perpetual melody of only three notes bring all of the other elements of the composition into incredibly sharp focus. This piece is also almost entirely in a minor key, underscoring a sad or somewhat mournful attitude. This is an amazing piece that I like quite a lot. One of the things I like about it is its huge amount and variety of textures, and rolling mini climaxes without that show that you can create a peak in music without going overly-loud or increasing tempo overly much. I also like that it is soft and delicate without being in any way tentative, every stroke is done with precision and determination, and even after a moment of hesitancy the stroke comes down in a powerful way. The next song is the classic “Smooth Criminal” by the ever-famous (even posthumously) Michael Jackson. Its genre is, strictly speaking, pop. It is incredibly danceable, in a strict and somewhat predictable four-four time. It also has an incredibly catchy and single-able chorus. It incorporates a wide variety of influences, however. There are touches of proto industrial music in the percussion, which sound like they may be clanging on metal pans or the sides of a building. Furthermore, rap has a significant influence on the song, with its tersely spoken-word style narrative, as does funk through a wide use of synth and base. So while this is a pop song through and through, it has a wide variety of influences. This song is a really enjoyable one to listen to for a wide variety of reasons. Firstly, Michael Jackson has an incredibly interesting voice, which he layers and uses to great effect in this song. It also is a great representative of 1980s pop, almost over using synth while somehow being able to pull it off effectively at the last minute. This is a song by Cold Play. It is definitely a pop-rock song, falling into four-four time with emphasis on the two and four, though it interestingly has a base drum on every beat. Unlike many pop-rock songs, this forgoes traditional insturemenation, choosing to augment the classical base-guitar-vocalist-drummer set-up with at least a quartet of string instruments (the cello carries the melody for much of the song, but there are places one can definitely hear a viola and or a violin as well), along with a wide range of non-traditional (for the genre). I am indifferent to this song, because it does some things well but some things poorly. I think the choice of instrumentation is very interesting to listen to, and carry the song very well. The problem, however, is that I do not feel that the lyrics are very evocative, and fail to carry the song properly. The final song is “Back to Black” by the gone-all-to-early Amy Winehouse. This is an incredibly interesting songs. By far the most important instrument in this composition is vocals, with Amy Winehouse providing a powerhouse performance. It also has a string section, a drum kit and possibly some horns kicking in the back, which all lead to a very layered and rich sound. This song harkens back to Motown Era R&B, with a heavy influence from soul.
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(“Listening Log Essay Example | Topics and Well Written Essays - 750 words”, n.d.)
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(Listening Log Essay Example | Topics and Well Written Essays - 750 Words)
“Listening Log Essay Example | Topics and Well Written Essays - 750 Words”, n.d. https://studentshare.org/music/1432777-listening-log.
The nature of the music is that it is a slowed down version of the hard rock example, a slower steady beat with highly emotional lead guitar and bass. It is the emotions of the music that is the most important element as the sentimentality expresses something deep.
The recording even sounds a bit like a record as opposed to a digital recording the music slightly scratching and a raw sensibility that lends to the feeling that the music is displaced, the sound coming across from the perspective of its period framework.
However, the redux by A Perfect Circle has a much more haunting tone, a minor key used to create a much more socially relevant sound in that it is wistful and with less hope than the original recording gives. Where Lennon seemed to be saying how wonderful it could be if we could just accomplish this, A Perfect Circle manages to discuss how the ideal is unreachable, that the darkness always looms just outside of hope.
The pauses throughout give delineation to each segment of the song and allows one to listen to it without every feeling lost or out of place. There is much that I appreciate about this piece of music, but at the same time it does not really speak to me. I think part of the problem is that this song is not in my musical vocabulary, and it is harder for me to see where the artist is coming from in many of the sections, so it tends to be a bit less evocative than more modern music that I listen to.
The lyrics are less anthem and more intended for sexually explication with shock appeal. The music is not complicated, nor is there any transition that is developed for highly imaginative solo artistry. It does create a great hook and allow for the idea of the sexual nature of the lyrics to be expressed somewhat in the style of the music.
According to the discussion listening is a mental process that involves constructing meaning from spoken input. It is conceived as an active process where listeners select and interpret information from auditory and visual clues so as to define what is going on and what the speakers intend to pass on.
Amazingly, he eats the same in the morning, lunch and evening. The group makes a resounding performance. On listening to the song, one cannot remain satisfied with it, but will want to listen to it more and more.
It is unbelievable how he
The music was composed between the periods of 1802 when he began composing the music peace and finally came to the end of composing the piece in 1802. He later presented his piece of music work in front of his audience.
The instrumentation that was used was a piano.
From 50 secs, the tempo increases and the music generates a temperamental moment. At 1 min 35 secs, the theme of the music changes from the preceding one. The piece starts on F-sharp minor on its ascending chord, C sharp major that maintains the first
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