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The costumes of the opera singers were typically in the character of a Spanish Seville setting. At one point we saw actual Toreador clothing. PERFORMANCE SETTING According to the Grove Music Online the opera was chosen after a French book. A distant cousin of Bizet was one of the two people who wrote the libretto. The librettist were Henri Meilhac and Ludovic Halevy. (Grove 2011)They wrote for other French composers. Bizet chose the subject himself. He wanted to use melodrame as it had been used since 1850 in opera comique .
(Grove 2011) An opera where there was dialogue accompanied by music was a technique that came from Italy in the opera buffa. TYPE(S) OF MUSIC . The opera was an opera comique taking after the opera buffa in the classical period. There were spoken parts. Carmen, the provocative bohemiane gypsy was a mezzo- soprano. Don Jose was a tenor which is higher than a bass. Before the opera began there was a short spoken introduction. I did not listen. I was too excited to hear the performance begin. Carmen is a gypsy who provokes men into loving her.
A soldier, Don Josee, sees her kill another women and takes her to the police. He falls in love and lets her go. When he finds her again, she is already married to someone else. He becomes a bandit. He kills Carmen out of jealousy or madness because she won't come back to him. This soldier is Don Josee. Carmen, Don Josee, Micaella, and Escamillo are the principal characters. It was so different seeing the opera on stage than seeing it on a screen; the sounds of hearing the whole hall were amazing.
Knowing that Bizet never had been to Spain makes one wonder how he could have written such Spanish sounding music. The Grove's said his opera changed the Spaniard's conception of their own music. The two parts of the opera chosen were. Carmen's Fate aria, and the Duet in Act IV before Don Josee kills Carmen. Carmen's Habanara "aria" is using all of Bizet's use of musical genres. 1. It starts with the use of voice as if were spoken drama with music being played under the voice. Please note the music is not accompanying the voice at certain points where it is at others. 2. The voice is used in dialogue with the chorus answering 3.
The voice is used as an accompaniment to the chorus 4. The voice is used as a solo without any instrumental accompaniment. 5. The full orchestra with the full chorus begins the Fate "aria" The second part chosen is in Act IV of the opera. It is the final duet which ends the opera. The duet between Carmen an Don Josee is exquisitely beautiful. It is long for a duet of the Romantic Era. Bizet uses many techniques to change the emotions and the color of the aria. In the beginning there is very little instrumental intervention and the voices are calm.
He is singing of how he loved her and she is saying she doesn't anymore. There is a build up of emotions when she says in the bottom of her soul she doesn't love him. The percussion and strings are playing and there is a change of attitude of Don Josee. He starts to beg and she sings in duet that she cannot go away with him. At one moment we hear the chorus and orchestra playing the Toreador theme. Don Josee knows Escamillo is coming and starts to sing more quickly. When he sings he is going to kill her, the key (tone ) changes to minor and the bass instruments play to show the gravity of the situation.
He does kill her and the Toreador, Escamillo comes. This is a duet with
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