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Briden, Jane Smiley and T.S. Eliot are examined. One of the major critics examining Huckleberry Finn is David Carkeet. Carkeet examines Twains story from a number of critical perspectives, but perhaps his most overarching take on the subject examines the various narrative techniques Twain utilizes throughout the novel. Within this context Carkeet pays particular emphasis on the nature of dialectics utilized in the novel. In these regards, he distinguishes between dialectics including: the Missouri negro dialect, the extremest form of the backwoods South-Western dialect, the ordinary Pike-County dialect (Twain, and Colley).
Carkeet notes that it is necessary to make this distinction as without it the novel would simply sound alike, however not succeeding. Within this context then, Carkeet examines the various dialectics for their linguistic elements within the context of the novel. In these regards, Carkeet argues that Finns dialectic himself can be viewed as the norm to which other dialectics are then varied upon. In a way then, Finns dialectic becomes the a sort of majority dialectic spoken throughout the novel through which the other dialectics are understood in terms of a prism.
It follows then that in differentiating further dialectics, Twain does so as a purposeful means. For instance, Carkeet argues that one of the major predominant dialectical changes is implemented by Twain to distinguish between race. Another factor Carkeet considers is the relation between these dialetics articulated by Twain and the sorts of dialectics implemented in the actual mid-nineteenth century. In considering this last point, Carkeet notes that there are significant divisions between the novel and the real-life dialectic.
One major point in these terms is that Finn himself utilizes different variations on his own dialectic throughout the novel,
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