Sakoontala or the Lost Ring an Indian Drama - Assignment Example

It is believed that Kalidasa was one of the nine gems in the court of the great Vikramaditya. Therefore, it is evident that some influence of the socio-political elements of the period can be traced in the plot of the great drama as no literature is free from the local and contemporary social influences. The great drama by Kalidasa, in a similar fashion, captivates the rich and glorious heritage of India and its tradition. We come to know that kings were fond of hunting and as the opening scene shows the king set out for hunting and chasing the antelopes, “King: Aye and anon his graceful neck he bendsTo cast a glance at the pursuing car; And dreading now the swift-descending shaft, Contracts into itself his slender frame; About his path, in scattered fragments strewn, The half-chewed grass falls from his panting mouth; See!

in his airy bounds he seems to fly, And leaves no trace upon the elastic turf” (Act 1, Scene A Forest)We also come to learn the richness of the language of ancient India and the cultural system prevailing at that time. For example, the readers get aware of the polygamy system prevalent in ancient India.Answer 2Sakoontala indeed is a great material to be incorporated as a film. The plot of the drama and its narrative structure captivates great dramatic element. Along with that character portrayal and character development of the drama give the play a total cinematic dimension.

All the characters are portrayed brilliantly and coherently for the support of the plot and its development. A thorough focus on the main characters that of Sakoontala and Dushyanta launches its readers to a better understanding of the play incorporated as a film. The tender and innocent Sakoontala at the lap of nature falls in love with the king. Her love is fresh and pure as nature. Amid the charm of the nature and enchantment of the nature girl Sakoontala, the king is enamored in the love of the nature and the young tender girl with the ferocity of lightening and charm of an antelope.

But their departure and the trajectory which the tender girl from the lap of nature, Sakoontala undertakes to launch her to an evolved character of a matured fighter of her social rights and give a complete coherence to the plot and trajectory of the character development. On the other hand, the character transformation of Dushyanta, the king also is worth appreciation. His journey from falling in love to forgetting it and finding the lost love once more supports the plot development and trajectory of Sakoontala’s character equally well.