‘Heart of Darkness’ by Joseph Conrad is one of the most valuable and authentic documents on racism and bears the true testimony about almost every perspective on the literature pertaining to color and colonialism. The book was published in the year 1902 and since its…
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l document against a cultural milieu and saga of oppression, far from being a mere adventure story encountered by the Englishman Charles Marlowe who worked for a Belgian trading company and set out for a voyage to accomplish the assignment bestowed on him as a Captain of a ferry-boat at wild and dark Africa. The story sets its readers to a journey along with Marlowe through his three fold trajectory through darkness, first through the wilderness of Congo, secondly through the colonial manifesto and tortures inflicted on the dark men of Africa by White Englishmen as colonialists and the lastly he passes and explores the darkness which is unfathomable and positioned within the heart of every man. The novella not only explores the myth behind the colonial history but also bears the social and extreme psychological thesis pertaining to the play of good and evil symbolically represented as White and Black respectively and the symbolic narrative of the framework pertaining to the story within the story places the novella at a realm that opens novel vista regarding colonial culture, history, literature and politics pertaining to color in the western canon of literature.
Recent critical introspection into the adventurous novella of the 18th century evidently launches its readers into myriad critical perspectives. The most widely accepted and counter discursive document pertaining to the post-colonial aspect of the novella is one which Nigerian scholar and writer Chinua Achebe captivated in his critical reception named as “An Image of Africa: Racism in Conrad’s ‘Heart of Darkness’”. This document is the base, the parameter or rather a scale to gaze and judge this explicit symbolic novella from the post-colonial perspective. The testimony rendered by Mr. Achebe forms the modern Bible as regards to the post-colonial study precisely for this novel and also at a wider perspective for scaling the myriad implementation and aspect of the post-colonial elements in
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He has produced several art works and writings ranging from the symbol and the symbolic, esotericism and symbol and the temple in man. Other that are known so far include the Egyptian miracle and the monumental otherwise known as the temple of the man, this last piece of art work has since been translated into languages English being among them.
In Mahayana Buddhism, it is one of a number of texts on the theme of ‘Perfection of Wisdom’. This sutra emphasises the point that ‘form is emptiness; emptiness is form’, and promotes the practice of meditation for realising this truth. It describes the emptiness (sunyata) of the five aspects of human existence (skandhas), namely (1) body or form (rupa), (2) feeling (vedana), (3) thought or perception (samjna), (4) will (samskara) and (5) consciousness (vijnana).
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He supposedly ran through the streets afterwards shouting, “Eureka, Eureaka!” which mean “I found it, I found it” (Zorman). It is interesting to note that almost all we know about the contributions of Archimedes to the world of science comes from three manuscripts discovered by the historian Johan Ludvig Heiberg and designated by him as codices A, B, and C.
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This theory further explains how hierarchy is generated in the interactions of small groups that have a shared goal which is based on status cues (Wood).
Specifically, this theory tries to explain unequal
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