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The theme of love based on gender will be examined in this paper.
This story revolves around Hikaru Genji, the son of an Emperor. Genji is stripped of his royal stature and force to live like a commoner. So throughout the story Genji has a royal demeanor, but forced to live as common Imperial soldier. Genji is handsome. He also has a very powerful persona. In one passage of the book, Genji sees a naked woman in a window. He enters the bedroom and engages in relations with the woman. The woman did not protest since he had such a powerful presence.
Genji comes into contact with many women. Genji professes love for different types of women. From a princess, concubine, and even wife Genji loves them all in their own way. He has been with a princess, attendant, and even some women named captain after their father’s rank. Since there is a multitude of women, only the most important women loved by Genji will be examined here.
In this novel, women are seen as possessions or prizes. Even his own daughters or mother must be provided support by a man. Lady Kiritsubo, Genji’s mother, was supported by the Emperor. However since her father was dead, she suffered at the hands of the other concubines. This caused her to die a premature death. Due to the other concubines’ jealousy, Genji was made a commoner through politics.
Although Genji does not love Lady Kokiden, his mother’s enemy, she does show how a woman can achieve power through a man’s love. After Genji’s father died, Lady Kokiden’s son achieves power as emperor. Through her son’s love and respect, Lady Kokiden has the power to persuade the emperor. This is one way a woman can come to power. The power of an emperor’s mother was always considered the highest a woman could achieve.
Genji does not care if he sleeps with another man’s wife or concubine. One of Genji’s great loves is his own stepmother, Lady Fujisubo. Lady Fujisubo was the previous emperor’s daughter. Thus she
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In the animated version of The Tale of Genji, only coverage of the first twelve chapters has been portrayed. (1654) Thus, the film version has left out scenes and plots from chapter 13 to 54. However, in addition to this, the film also has a few extra scenes that are not in accordance with the Japanese text, in order to make the viewer understand the gravity of the psychology that the characters go through.
Because of this, it might be supposed that literature from the time period always shows men to be right and women to follow them without any questions. However, in part due to the fact that women wrote many popular works of literature, that is not necessarily the case.
According to the paper the aesthetic beauty of the illustrations along with enigmatic figures portrayed in them, make the art immensely successful in providing visual account to the written story. The narrative has thus been communicated really well and effectively that it influenced the Japanese society of that period to the brim. The court culture depicted vividly in the illustrations resonates nostalgic as well as melancholic feelings that existed both in the characters of the story as well as the people who lived during the Heian period.
Because of its richness in themes that are tackled therein, the Tale of Genji is reputed as the world’s first novel, the first psychological novel, the first modern novel or/ and the first novel to be considered a classic. Even though the novel is universally considered a masterpiece, because of the novel’s concise illustration, classification and influence in both Eastern and Western canon, the Tale of Genji remains a matter of serious academic and cultural debates.
The main theme in the story is evanescence, which controls most of the characters’ actions in the tale. The impermanence of all things, in the tale, serves in manipulating the plot of the story. There is need to classify the act of evanescence in categories to help in understanding the tale.
The elusive pursuit of satisfaction of the main character is largely driven by his desire for a relational counterpart that possesses qualities similar to the mother figure of Lady Fujitsubo.
While The Tale of Genji is perhaps the oldest novel in the word, the psychological aspects of the characters in this work are still vibrant.
The magnificence of Japanese artistry was then showcased in the 20-volume Manyoshu or “Collection of Ten Thousand Leaves” published in 759 AD which revealed that ancient Japan produced legions of geniuses in the field of poetry, which bespoke of the esteem and encouragement that the nation had in store for its writers and artists.