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Masculinity and Fight Club - Research Paper Example

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Focusing on questions of individual rights and “sexual liberation,” and taking the autonomous, liberal subject for granted, it is realistic in…
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Masculinity and Fight Club
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Download file to see previous pages Palahniuk, the author of Fight Club, recognizes that the concept of internalized oppression continually implies the likelihood of ones somehow transcending or mastering the admittedly deeply oppressive system by which the main characters are articulated as a sexed subject.
Masculinity allows Palahniuk to unveil problems and weaknesses of pop culture and place a modern man in this new society. The main character, an unnamed narrator, suffers from depression and anxiety caused by poor job conditions and low salary. It assumes that a line of demarcation can be clearly drawn between tyranny and liberation, between inside and outside, and works to reify these binary oppositions. To some extend, fatally mortgaged to bourgeois individualism, it insists (like so many twelve-step programs) that one can obtain a cure by an act of will (which looks to me far more like an act of repression). Thesis The theme of masculinity helps the author to depict the culture of violence, cruelty and oppression created by pop culture and its values.
For as the narrative makes clear, the sexual identity is finally revealed to be fictive, which is to say, strictly relational and dependent upon the roles assigned the participants by a particular scenario. The narrator describes his state as: “This week the insomnia is back. Insomnia, and now the whole world figures to stop by and take a dump on my grave “(Palahniuk 1999, p. 88). In becoming a spectacle, “another man,” the main character accedes to the new economy of desire that insists on the unique nature of identities. It also bears witness to the vexed relation between the political and the sexual in American culture and the fact that queer identities at once disrupt the binary opposition between the public and the private and reinforce the belief that the private is the central determining feature, not just of subjectivity, but of the social as well (Connell, 2005).
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