Allegrettto Moderato, Andante un Poco Mosso, Scherzo and Rondo: Allegro Vivace - Essay Example

The piano is naturally percussive and its tone very straightforward while the violin and cello employed in this work to be more flowing and more embracing of the over all sound through its vibrato-quality. The cello with is beautiful tone is often used to add color and feeling though out the whole work. Schubert capitalizes on these differences to keep the music moving and evocative through transferring the melodic lead from one instrument to the other throughout the whole movement (Krantz, 2008).

On the other hand, while one instrument takes the melodic lead, the lines of the other two instruments cannot be considered boring. In fact the skilled performers developed their individual lines so well that one can follow the music as a whole through the sentimentalities of those providing musical support. Through out each movement, the sections provide contrast by way of faster tempos and louder dynamics against slower tempos and softer dynamics. This is very characteristic of Schubert's period (Sony Music Entertainment, 2001).

Allegretto moderato. The first movement as its title suggests evokes happiness in a moderate and languishing way. Throughout the movement, Schubert uses a lot of non-legato scales to evoke joy and shorter runs and trills as a playful accent at the end of long musical lines. The music begins very energetic and makes one think of European folk dancing where a lot of hopping and skipping are involved. A following section uses two-note swells to evoke a feeling of moving forward and then recoiling back.

This invariable brings the music forward while developing musical tension. A succeeding section capitalizes on the unity of sound of the two string instruments. The minimal to no use of the piano was a wonderful way of building up the music to a highpoint wherein with the addition of the piano the music bloomed and was highly evocative. Towards the end, the music became very soft and quiet. Then there was a gradual crescendo until a point where the three instruments were equal in importance. This majestic section eventually gave feel of this part became soft and ended with a quick succession of two chords.

Andante up poco moss. The second movement was more rhythmic than the first. The duet between the violin and cello in the first section was beautiful and very flowing. In contrast the piano provided the steady beat which prevented the music from feeling sluggish. The transition from one section to another was seamless, there were no apparent breaks and also no drastic changes in melody or chord. Specifically for the transition from the first to second section it was as if lovers were running around and playing in a field when they happen to chance upon a breathtaking view and proceeded to drink in the vision before them.

There were some interesting details which added humor to the music. In a middle section, the color of the music changes from something happy and playful to one of suspense and arising danger. The mood lightened again in the next section as if the lovers after a tragedy were now comforting each other. The music still evoked some underlying tension but the impression one gets is not threatening because there is a lot of movement in the music itself. After this section however, the music became soft.

It may have been the performance itself, but there was a feeling that something was missing. The music no longer gathered one in. Themes from earlier sections were repeated albeit