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Comparison analysis of poems To the Daisy and The Stolen Boat by William Wordsworth - Research Paper Example

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This essay analyses two poems written by W.Wordsworth. In the first poem, the poet begins by praising the flower ‘daisy’ because this flower is often used to signify death. "The Stolen Boat’ concentrates on the ‘Being’ that dwells within Nature…
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Comparison analysis of poems To the Daisy and The Stolen Boat by William Wordsworth
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 Comparison analysis of poems– ‘To the Daisy’ and ‘The Stolen Boat’ by William Wordsworth This essay brings up two poems written by the famous nature poet, William Wordsworth – ‘To the Daisy’ and ‘The Stolen Boat’. In the first poem the poet begins by praising the flower ‘daisy’. This flower is often used by different poets to signify death or rather, to soften the harshness of death. In the eight versed, 48 line poem, the poet begins with lovely similes meant for the flower. On the other hand ‘the Stolen Boat’ is a poem which does not concentrate on any particular object but rather on the ‘Being’ that dwells within Nature. This creates fear in the mind of the poet. The poet finds a lot of reflections within the dainty white flower. He calls it a ‘homely face’ and ‘unassuming’ in nature (Palgrave, 332). He feels that the daisy with its pure beauty does not contain pretence. The daisy reflects a lot of grace which love has showered on it. The poet seems to spend long hours looking constantly at the daisy and ponders about some ‘fond names’ (Palgrave, 332) for the flower. He calls it a shy nun, ‘sprightly maiden, of Love's court’ and ‘A queen in crown of rubies drest’ (Palgrave, 332). Suddenly the mood switches to that of fear where the very form of the flower, which appeared pretty to him before, now seemed to be fearsome. He compares the white flower with the yellow center to the one eyed Cyclops. He finds in the flower, an attempt to defy the norms or the normal ways of the society. The imagination of the poet takes him so far as to imagine the flower as a symbol of rebellion, but again the shape vanishes suddenly forms his mind. All he finds there is the ‘silver shield with boss of gold’. He describes that the golden mass over at the center of the dainty petals seems to cover up the entire flower. When the poet moves back to gaze at it the flower seems to be a white star. It might be less glittering that the other flowers which are perhaps brighter, but it is ‘self poised in the air’ (Palgrave, 332). Peace rests within the flower itself such that she may never return to her home. The flower is timid, imparting this character within the poet too. By using the word ‘meek’, Wordsworth hints at the modesty of human nature which he has been able to develop with the help of the flower. He calls it a ‘sweet flower’ (Palgrave, 332). He feels that it practically breathed with him, sharing the same space of sun and air. Thus we find that the poet uses mood swings and similes to describe the flower. There are two contradictory elements within the same object of nature. He experiences peace and fright with very brief periods of transitions. While the poet goes out to experience nature, he in turn derives inspiration, insight, education and delight from her. It is a bi-directional process during which the mind of the poet matures. The poet assigns the role of transformation from adolescence to maturity to nature and cites circumstances to show the impact on his young mind. ‘The Stolen Boat’ is one such creation where the poet talks about himself as a young boy who steals a boat in the night. The scary cliff looms dark and large before him. This reminds the poet of his act of stealth and guilt. This is a single verse, 44-line poem. The following lines reveal his state of mind affected deeply by nature: “Of sea or sky, no colors of green fields; But huge and mighty forms, that do not live Like living men, moved slowly through the mind By day, and were a trouble to my dreams” (Wordsworth and Morley, 274) Unfathomable perception and inexplicable sense of fear troubled the innocent mind of the young boy. The situation conveyed in the Stolen Boat may be described as, “a disquietude, an intimation of uncanny threat….projections of guilt, evoke the horror of death… retain a psychological ambivalence and mystery” (Ulmer, 53) The otherwise harmless objects of nature surrounding him remind him of his act of stealth. Even the simple objects seem to gain a different shape and the poet acknowledges nature to be the cause of this transformation. The little adventure of the poet turned out to be an important lesson which would help him mature in the years to come. Nature has directed him to his thoughts and aroused his conscience. William Wordsworth has played a great role in romanticizing the poetry. He has set some ideals which have imparted a romantic lens to his critics while viewing his works. While comparing the two poems, we may find that both have imparted some lessons to the poet. Nature is a living being in the opinion of Wordsworth who practically lives and thinks with the help of the feelings generated by the elements of nature. While in the first poem the poet concentrates specifically on the flower itself, ‘The Stolen Boat’ is a part of the Prelude to his Autobiography. According to Miles, Wordsworth’s main concern lays around mystical experience, which may take three major forms – a union between nature and an individual; union between two people and; the union of the human soul with God, referring to religious mysticism (Miles, 14). The rhyming pattern of the two poems also differs. The poem ‘To the Daisy’ follows a pattern of AAABCCCB. On the other hand, The Stolen Boat is in the form of a prose. However in both the cases the poet reveals his wildest imaginations and draws out life from the otherwise natural objects. Most importantly, both the poems reveal that nature adds educational value to the life of the poet and helps him grow in terms of virtues. Works Cited 1. Miles, Grahame. Science And Religious Experience, New York: Sussex Academy Press, 2007 2. Palgrave, Francis T. The golden treasury of the best songs and lyrical poems in the English language, London: Macmillan, 1875 3. Ulmer, William Andrew, The Christian Wordsworth, 1798-1805, New York: SUNY Press, 2001 4. Wordsworth, William and Morley, John. The Complete Poetical Works of William Wordsworth, Michigan: University of Michigan, 2007   Read More
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