Social and Political Art of the 1970s and Beyond - Assignment Example

Almost all of Berthe’s paintings had the women from her family as their themes. Though her husband supported her well in her profession, she hardly used him as her model. She was one of the foremost Impressionists and had special brush strokes unique to her paintings. In this case, she had painted her sister, who was pregnant and seated near a window, but not looking out of the window. It is typical of her themes, where the domestic, feminine character is celebrated in her own style and not in the men’s point of view. The women in her paintings were captured in their casual domestic bliss, in the world of their own as seen through the eyes of a woman. According to Morisot, “It is important to express oneself... provided the feelings are real and are taken from your own experience” (Arthistoryarchive, 2009). There is not much importance given to movement or the outside world in her painting, which says that they exclude the scope for the male gaze, and are truly feminist. She created a style of her own, themes of her choice, endeavoring to create a room of her own as Virginia Woolf says.

“Church Picnic 1988 Acrylic on canvas, fabric border 74 x 69 " The High Museum of Art, Atlanta  (Ringgold, 2002).

This is a painting by Faith Ringgold and depicts a picnic scene on canvas. All her paintings narrate a story so as this. There are many families seen seated on the grass, under the trees in the park, where the Freedom Baptist Church has its picnic. Children dance and play. Only a few move while the rest are static in one place. They are seated in families and in groups dressed up in a mixture of formal and casual wear.