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Critique of The Birth of a Nation Film Directed by D.W Griffith - Movie Review Example

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The paper focuses on "the Birth of a Nation” directed by D.W Griffith, in which the author gave his well-plied audiences the message that black people did not only want their freedom but also that liberation had been the greatest disaster of America…
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Critique of The Birth of a Nation Film Directed by D.W Griffith
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Download file to see previous pages The film portrays freedmen as interested in intermarriage, being involved in legally authorized vengeful and excess violence mainly to force white women into relations of sexual nature. It depicts Southern Whites establishing the Ku Klux Klan to protect themselves from such outrages and to incite the “Aryan” cause overall. The film affirms that the white-sheet-clad death squadron served up justice rapidly, and that, through denying the black people the right to being engaged in voting and placing them generally subordinate and apart, it restored civilization and order to the South. Therefore, in the film “The Birth of a Nation”, the author gave his well-plied audiences the message that black people did not only want their freedom but also that liberation had been the greatest disaster of America.

The art of Griffith presents moments that are humanly profound, whether delicate and graceful or rhetorical and grand, that disengage themselves from their situation to investigate nearly worldwide circumstances, like the blend of pride and shame in a returning Confederate soldier’s face. This is when he returns home in tatters meeting his sister in tatters too, or the strong adventures of Lillian Gish, a Union Girl sending her brother to war before breaking down into tears when the two are just out of view. The magnificent shot that begins close to children and their mother, high on the hillside, and thereafter progresses to the advance of the army of Sherman, seen from the elevated refuge of the family, movingly portrays the intimate damages of war (Lang, 1994).

Throughout the movie, the pro-Confederacy feelings of Griffith are grossly evident; yet his portrayal of events, his demonstration of reality as understood by him, involves the addition of much that goes away from his intentions. The essence of the realism of Griffith is multiple action planes, complex staging, and open frames, all of which put forward far more than the descriptive title cards that Griffith would allow (Lang, 1994). ...Download file to see next pagesRead More
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