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It is evident that before the Pearl Harbor attack, both civilians and soldiers experienced varied social conflicts. For that reason, there is a struggle between the opposing ends. In the movie From Here to Eternity, there is a conflict between soldiers of high ranks and those of lower ones. According to the plot of the movie, the low-ranking officials feel that the high-ranking officers abuse their authority. As a result, they regularly show opposition to this behavior. A good example presents itself through Prewitt, who apart from being a low-ranking officer is, according to this movie, depicted as a just and cultured person. Contrarily, some military officers especially those of higher ranks find especial delight in mistreating him. In response, he defies their command as a way of defending his dignity (James Jones, From Here to Eternity).
In addition, the movies reveal that a conflict existed between the men and women as to who is superior to another in a marriage union. The movies portray males as irresponsible parties as far as marriage is concerned. It shows that men perceive women as lesser partners in marital affairs, and this leads to a struggle by women to win respect in the society. At times, when this degradation is too much, women resort to revenge as a way of consoling their ego. For example, Karen, Captain Dana’s wife, is considerably bitter about her marriage, given the fact that her husband undermines her dignity, both as an individual as well as a wife. In response, she openly shows disrespect for the husband and goes about having affair with other men as a way of retaliation. Karen exemplifies civilians who fight to protect their dignity.
Concisely, the movies portray the American society riddled with social corruption, at both the military and civic level, and it was only until the attack that a number of positive changes took place. The movies show that during the war, men, instead
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The author reviews the film Rambo (Part II) that revolves around the movie’s leading role - Rambo - who reprises his responsibility as Vietnam veteran. On screen, the depictions of war in these 1980s movies were indebted to previous depictions of the warfare that similarly raised the individual, witness understanding as the main aspect to understanding it.
According to film scholars, the concept of the auteur actually refers to the original idea of the French filmmaker François Truffaut, who in his manifesto “The Policy of Auteurs,” declared that “Cinema as an art made by a film artist and not by a writer,” wherein the film artist, or the filmmaker, is actually the auteur.
Patriotism is not only expressed by joining the military and going for war to protect the honor of the country. It can be expressed by following the laws of the country with devotion and loyalty. Military officers are not the only patriots. Any person who loves his country is known as a patriot.
World War II has highlighted many issues and paradigms of advancing technology and the changing format of social order. While it has clearly shown how the science and technology can devastate nations, it has also brought for the problems of mass refugees who have fled to other countries.
The Noir films gained momentum during and after WWII, owning to the drastic effects of the same on humanity. So, the world renowned film directors related to Noir film genre show keen interest to inculcate war crime in their films. Thesis statement: War crime and Noir films are closely related because Noir films reflect emotional trauma faced by war hero, expose criminal consciousness related to war and war crimes in general (special references to the films Shutter Island and Gun Crazy).
Not more than twenty years back, British Cinema was portrayed as "an unknown cinema" by Alan Lovell and as "utterly amorphous, unclassified, unperceived" by Peter Wollen (as cited in Gyri, 2004).
Even in 1986, Julian Petley indicated that the anti-realist effort of British cinema as a 'lost continent' that needed further examination and, as Chibnall and Murphy note in their Introduction of British Science Fiction Cinema (1999), this call for volunteers on a mission to hunt out the unusual and unnecessary (that is, films beyond realism) had been earlier overlooked .
While the media prides itself of being the watchdog of human society, much of its purported objectivity, factuality and truth-speaking fades away in times of conflict especially if they are located in states-at-war or in geographical or cultural proximity of the conflicting states.
Before the 1980s, the cost of production was very high and the revenue from the sales was very low on downward trends. This had strained many companies involved in the movies production in the seventies because movies would only attract investors if they were sure of very high
n” (1937) and “the birth of a nation" (1915) are two films that have demonstrated how love can actually be applied as a tool for dispelling the social-cultural and political differences that exists amongst people. While the “the birth of a nation" (1915) presents the war
y life, the lives of post-war famous classes and ideologies, hopes of early political renewal and a late loss of hope brought about by the failure of the renewal. Each of the above characteristics helped to build on the director’s ultimate goal of conveying hope of renewal and
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