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African American Hinstory Response+Identification - Essay Example

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It is believed that the stool descended from heaven to crown the first king; Osei Tutu. Therefore, the assumption is a valid belief among the Asante people because the…
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African American Hinstory Response+Identification
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African American History Why the Golden stool was considered a soul spirit among the Ashanti. The Golden stool was a sacred symbol in the Ashanti Kingdom, which possessed a soul spirit called sunsum. It is believed that the stool descended from heaven to crown the first king; Osei Tutu. Therefore, the assumption is a valid belief among the Asante people because the golden stool indicates leadership, acts as unifying symbol in the community, and legalized the rule of whoever possessed it (Adu-Agyem, 3).

Peace and unity of the Ashanti nation is dependent on the Golden stool.Ashanti had great respect in the Golden stool because it was a symbol of vitality and strength in their kingdom, fertility to their crops, animals, women, and men and protection from famine and dangerous plagues caused by evil spirits. To Odwira festival was special to invoke the spirit in the Golden stool.Style of ArtJohn Biggers was a fine arts educator with vast knowledge in painting, sculpting, graphic design, printmaking, and muralist.

Most of his works revolved diverse dimensions in art, religion, and mysteries of Egypt and other African countries. Some of the styles of art evident in his work are as follows: Lithography; Frustration (Seeking), 1952, Surrealism; History of Negro education in Morris County and Texas, 1955, Historical; Four Seasons, 1984, Folk; Market Women, Ghana Circa 1960 and Aunty Dicy and her Snaff-dipping neighbors, Muralist; Share Cropper, 1945ConclusionThe discussion above reveals how art serve different purposes in the community.

Every society has a preferred impression associated with art because it is brings out the true definition of situations. On professional grounds, lithographic art work has been used to communicate important instances in society since the industrial age.Works citedAdu-Agyem, J., K. A. Agyapong, and K. Agyei. "The Philosophical And Aesthetic Significance Of The Silver-Stool Of Mampong-Asante In Ghana." International Journal of Innovative Research and Development 2.11 (2013).Herzog, Melanie Anne.

"Elizabeth Catlett (1915–2012)." American Art 26.3 (2012): 105-109.

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