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"Discuss 'Evening: Landscape with Aqueduct by Theodore Gericault' in terms of the changing notion of landscape in the 19th century"
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Gericault then left the classroom and instead chose to study at the Louvre. Here he copied ideas from the paintings of Rubens, a Titian as well as Rembrandt for a period of almost 6 years from 1810-1815. He found vitality that he preferred to the existing school of Neoclassicism. The influence of his experience at Rubens reflected in his first major work, exhibited in 1812 at the Paris Salon. This work also revealed interest in the contemporary depiction of subject matter. The ambitious and monumental youthful success was then followed by a change in direction in the production of a series of studies of cavalrymen and horses. Theodore had independent wealth and could thus indulge both of his twin passions- horses and painting, when he wished.1 However, he was less formally trained than most of the artists during his time. He only applied seriousness to his art whenever inspired, For instance, with the raft of the medusa as his great masterpiece. He was influenced by Antoine- Jean Gros and he himself powerfully influenced Paul Delaroche and Eugene Delacroix, the former, who then became a great romantic artist. Gericault was among the best portrait artists and was noted for his realistic studies on asylum inmates. However, his untimely death came following long time suffering after falling from a horse.
Newer artistic styles tend to come up against dominant old ones. Classicism rejected the previous style-Baroque or Rococo. Rococo favored much exuberance and ornamentation, and in architecture and music, that exuberance was asymmetrically expressed with great dynamism in light and shade, color, rhythm and movement. Romanticism saw the rise of rationality and science and thus rejected Rococo and thus looked backward to the aesthetic values of Roman and Greek antiquity.2 This favoured harmony, balance, restraint and proportion and as a result, romanticism sought a newer way of depicting the human condition from a world whose classical values were being
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The psychical and cultural landscape of the country is quite fascinating and it is a wonder to consider how the country has thrived under harsh desert conditions that make it difficult to sustain any noticeable plans for agriculture or to gain adequate and safe access to drinking water.
Its landscape is dramatic as it is famous for its outback, the secluded lands of the interior (Duncan, Nuala, and Richard 78). For example, the desert outback’s covers the largest part of the interior, and stands out as too hot, barren and cannot support many people.
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The plantations of the antebellum era were replaced in the face of the abolition of slavery and new economic demands. The Freedman now were able to own land, work their own fields, and seek employment as a wage earner. The freed slaves had also lost the only social structure that they had known, which was the slave system.
Second, these painters tend to favor realism in their works. Browsing through their masterpieces, these similarities are immediately apparent, which lay a solid ground for an educated comparison.
One would notice that either one or a group of trees stand out
Church’s “The Heart of Andes” are perfect examples of landscape paintings that belong to the Romantic Movement.
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Allison M. Williams (2009) discusses evolution of therapeutic landscape concept. Reviewing all the variations of the concept, scholar concludes that generally, therapeutic landscapes are places somehow enhancing health, wellbeing, and quality of
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