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From Slavery to Freedom, Edition 9, CHAPTER 16, ODYSSEY PART 7/2 - Book Report/Review Example

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The book From Slavery to Freedom by John Hope Franklin, a distinguished African American historian, touched upon a racial inequality in the United States and shifting of accents in public opinion concerning a growing impact of black artists upon cultural realm of both the USA…
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From Slavery to Freedom, Edition 9, CHAPTER 16, ODYSSEY PART 7/2
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"From Slavery to Freedom, Edition 9, CHAPTER 16, ODYSSEY PART 7/2"

Download file to see previous pages In his book Franklin paid much attention to the struggle of African Americans for racial equality in the USA and a contribution that black artists, who called themselves "New Negroes", made to reshape the attitude towards African American culture and revitalize the image of blacks in the public mind of white people.1 For the artistic "New Negroes" the 1920ies were stirring times. The invention of the radio and phonograph, emergence of corporate press and introduction of recorded music to the American market, as well as new distribution techniques paved the way of talented black artists to the entertainment industry. Black musicians, poets, writers, filmmakers and painters rose to international fame almost overnight becoming more popular each year. Thus, unlike other domains of life, the artistic field turned into the wonderland where African Americans enjoyed equal opportunities for self-fulfillment alongside with white people for the first time in American history. Some of black artists deliberately put racial inequality on the agenda within the framework of their creative efforts, others, however, preferred to focus on their personal fulfillment in search for new art forms defying old stereotypes of Victorian age. Regardless any intentions of the black artists the American society grew increasingly interested in African American culture.
The evolving of Blues and Jazz, which were black-dominated music trends emerging from New Orleans to Chicago, a growing demand of consumer markets both in the USA and oversees for non-Western aesthetics, colorful creative forms of black artists, which captured both black and white audiences, made black cultural production extremely popular and profitable. The racial prejudices against African Americans started to dissolve massively in the beginning of 20ies with white-owned recording companies selling thousands of music records of black singers and musicians like Mamie Smith, Charlie Patton, Jerry ...Download file to see next pagesRead More
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