Michelangelo on the Divine, Universal truth and Beauty - Research Paper Example

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Everyone hopes for the best outcome out of the verdict he makes. in order to make reliable decisions, it is necessary for one to think critically and creatively. As a result, we realize that…
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Michelangelo on the Divine, Universal truth and Beauty
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Michelangelo on Divine, Universal Truth and Beauty In our day to day life, decisions have to be made in every situation one comes across. Everyone hopes for the best outcome out of the verdict he makes. in order to make reliable decisions, it is necessary for one to think critically and creatively. As a result, we realize that everything we do require to a certain extent philosophical thinking. Philosophy is the ability to know the right and correct things that entail our lives. An art on the other hand gives a platform for philosophers. The works of artists entail aspects of philosophical thinking. Michelangelo, a renowned artist whose works of early thirteenth century are popular, is a proper example of artists whose works illustrates philosophy behind it. This paper seeks to examine Michelangelo’s works of art on Divine, universal truth and beauty. Michelangelo’s creative work of sculpture in Rome brings about the issue of divine and beauty. We view him presenting the images of the characters in the bible and their actions. We see Adam’s image eating the apple, and besides him there is Eve (Michelangelo 56). Everything that happened in the Garden of Eden is captured by his work. He even goes to the extent of imagining the image of the angel who gave the orders in the Garden of Eden. He further decorates the chapel with beautiful images of Cain and Abel offering their sacrifices and their reactions after the sacrifice. Daniel, Zachariah and Haman are among the characters Michelangelo sculpts in the chapel thus decorating it (Condivi 24). I can imagine the scenery in the chapel accompanied by its divine significance to the ones who see them. The fact that Michelangelo chose to use the characters of the holy bible to do his work signifies some kind of divine connection. The writer of Michelangelo’s biography describes the situation under which Eve sculpted by Michelangelo acts. How she is guilty and fearful of justice and hope for divine mercy. The fact that Michelangelo’s paintings are more beautiful is not something easy. When asked, Michelangelo argue that all the work of paintings is done by his brains and not the hands (Molyneux 78). This implies that Michelangelo frequently prefer to link the philosophical art with his brain. Moreover, he lends himself fully to the source of divine things in his art; the beautiful nature. Each and every thing that is in nature should be looked at with appropriate keenness (Kool 15). It is by observing this nature keenly that Michelangelo came up with such beautiful paintings. As the saying goes that beauty lie in the viewer’s eyes, it also entails some concentration when viewing. Ascanio Condivi wrote that Michelangelo “loved not only human beauty but universally every beautiful thing: a beautiful cat, a beautiful goat, a beautiful escarpment and every place and thing beautiful and rare after its own kind,” (Condivi 12). Michelangelo in his work tries to show us the reality of the universe. He communicates through sculpturing and paintings to attract people in viewing them. As a result, he makes them think critically and creatively to come up with the truth. A funny scenario is when he painted the judgment day and how damnation will take place.
Concisely, Michelangelo’s work mostly deals with divine issues, universal truth and beauty. His decision to sculpture the likes of Adam, Eve and other characters in the Bible is an indication of his divine believes. We have seen that he is driven by the natural beauty to make his paintings.
Works Cited:
Condivi, Ascanio. The life of an artist. London: McGraw Hill, 2008. Print.
Kool, Michael. Michelangelo’s Spirituality. New York: aha Process, 2006. Print.
Michelangelo, Clements. Theory of Art. Sudbury: Jones and Bartlett Publishers, 2004. Print.
Molyneux, John. Michelangelo and Human Emancipation. New York: McGraw Hill. 2009. Print. Read More
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