We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

The social and political films of the 1930s - Essay Example

Comments (0)
Summary
In 1930s Will Hays, head of the Motion Picture Producers and Distributors Association, mentioned "No medium has contributed more greatly than the film to the maintenance of the national morale during a period featured by revolution, riot and political turmoil in other countries."(Digital History, 2006)…
Download full paper
GRAB THE BEST PAPER
The social and political films of the 1930s
Read TextPreview

Extract of sample
The social and political films of the 1930s

Download file to see previous pages... Even though equipment was new, but American public was poor at the time, as a result by 1933 movie attendance fell by 40 percent. To survive, the industry trimmed salaries and production costs and also shut down one third of the US theatres.

The depression 1gave rise also to such movies that were more propaganda in nature. For example due to influx of refugees from Germany, a lot of Germans were even working in the movie industry led to the Anti-Nazi themes.

It was under this feeling that by the end of decade, fronts were formed against Anti-Nazism, such as Holy Wood Anti Nazi League that explicitly made Anti-Nazi movies, a move far from away from entertainment. The rise of communism also made its presence in Hollywood. In 1930s Hollywood had its own Communist party under the leadership of screenwriter John Howard Lawson, who championed the cause of intellectual rights. Our Daily bread (1934) is a movie based on Communism in the backdrop of Depression, which portrays that communal spirit could enable a community to overcome the economic problems.

The Great Depression 2increased poverty; while Prohibition shifted ideologies, which were clearly reflected in the movies. The Depression broke the promise of American Dream; many thought of a revolution to bring change in the White House. In 1932 the American Legion mentioned that the reason for chaos was American political system that needs to be changed. The response it was believed is revolution, as capitalism failed; Stalin seemed the rescuer for new setup. This provided dictatorship craze 3in Hollywood, a series of films that have strong tyrannical personalities, who with all their flaws had the power to steer the nation. The Power and Glory (1931) is made around such character, the railroad tycoon Tom Garner, who in the wake of railroad crisis brings workers to heel through his haughty personality. A times comes, when Garners happens to kill 400
workers to suppress strike, again shows that cruelty is acceptable, if it can bail out the people. Employee's Entrance (1933) shows the ruthless world of the business.

The film depicts establishment of business since 1878 throughout the roaring twenties with a tone, that in business there is no room for sympathy, again is depiction of blind power from Hollywood. The rise of Fascism in Italy and Nazism in Germany and political corruption also produced characters for the movies. Colombia pictures presented an alternative to American inefficient democracy of the time, Mussolini Speaks (1933), where the pre-credit inscription mentions " This picture is dedicated to a man of the people whose deeds for his people will ever be an inspiration to all mankind." The narrator of the movie praises in the preface and mentions that, "Whether we agree with a man's policy or not doesn't matter. We're interested in a man if he marks himself a leader", depicts American society loss of faith on its leadership. This yearning for strong leadership is based on the assumption that even if leadership is flawed and tyrannical, if it knows, how things are done is better than democracy. Similarly in Gabriel over the White House (1932) again the need for a strong leadership is repeated, when newly elected president Judson Hammond is shown to be a lackey of his party willing to follow the party line ...Download file to see next pagesRead More
Comments (0)
Click to create a comment
CHECK THESE SAMPLES - THEY ALSO FIT YOUR TOPIC
Why Were Gangster Films So Popular in the 1930s
GANGSTER MOVIES: WHY WERE THESE SO POPULAR? (The Motion Picture Production Code) by: Name of Student Student ID Number Name of Course Presented to: Professor's Name Name of University School Location Estimated Word Count: 2,169 Due on: March 15, 2012 Introduction Man is a social animal and part of being that is to have social contacts with other humans.
6 Pages(1500 words)Essay
The Representation of Women in Films in the 1930s
In the 1930s, film producers concentrated more on war and romance. These films relied on unrealistic and exaggerated portrayal of sexual relationships and romance to appeal the audience. The films positioned women on a narrative scale of patriarchal capitalism (Berry, 2000, p.
8 Pages(2000 words)Essay
Women in Films in 1930s

The author says that Hollywood representation of women was viewed as the most transgressive in the years between 1929 and 1933. Whereby, the working women were perceived as “hardboiled” as a result of their expertise in the Depression-era city. In addition to that, they were likely to choose a career and independence over marriage.

9 Pages(2250 words)Research Paper
Hollywood Representations of Women in 1930s Films

The author states that women involved in the film industry have often been celebrated more because of their appearance than their acting ability. The roles they played often reinforced traditional gender roles. The Golddiggers of 1933 as a framework for exploring the roles and portrayals of women in 1930s Hollywood.

13 Pages(3250 words)Research Paper
This research can focus on any historical topic related to the course.that is, on any topic covered in class or in your dossie
The project will comprise five sections and an introduction, while the first section will explore the representation of women in 1930s film, concentrating on how women were objectified. The second section will focus on how 1930s cinema created a pre-code, which portrayed women as having to choose between a career and romance.
9 Pages(2250 words)Research Paper
Spectators and Audiences- Research Paper- Do Violent Films Promote/Influence Violence in Society, Or Are Violent Films Just A Re
But what does the audience of violence films look for and obtain from watching the suffering and/or death of characters, whether they are based on fictional or real stories? Aaron (2007, p.4) described people as a “visual culture,” where people generally enjoy looking at either/both the most common or uncommon people and events.
11 Pages(2750 words)Essay
The films we have screened in the second part of the course display some reactions to the challenges (social, political, cultura
Yet, each of the main characters in each of these films exhibited a kind of nihilistic attitude towards life and the changes around them that belied the importance that these characters truly represented. They were neither critical of society, nor a part of it.
9 Pages(2250 words)Essay
British Avante Garde Films
Not more than twenty years back, British Cinema was portrayed as "an unknown cinema" by Alan Lovell and as "utterly amorphous, unclassified, unperceived" by Peter Wollen (as cited in Gyri, 2004). Even in 1986, Julian Petley indicated that the anti-realist effort of British cinema as a 'lost continent' that needed further examination and, as Chibnall and Murphy note in their Introduction of British Science Fiction Cinema (1999), this call for volunteers on a mission to hunt out the unusual and unnecessary (that is, films beyond realism) had been earlier overlooked .
8 Pages(2000 words)Essay
How the films depict the discomfort of individuals within societies that often seem oppressive.As well as the films' political social and economic messages
It may have a general approach or a specific one. There are even cases that films serve as a propaganda tool to reinforce the status quo or to break the problematic paradigm of social discord. In terms of
8 Pages(2000 words)Essay
Film And Social Change
The society began appreciating film as a commodity and a form of political expression. Later, changing policies meant that filmmakers lacked the freedom to achieve their storyline, and had to focus on choices that favored the country's image. Structural changes of the film industry sought to make filmmakers autonomous of state decisions.
2 Pages(500 words)Essay
Let us find you another Essay on topic The social and political films of the 1930s for FREE!
Contact us:
+16312120006
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us