The subject of this write-up is the internationally acclaimed Chinese director, Zhang Yimou. The objective of this paper is to track the journey of the film maker, emphasizing on the way his cinematic vision has evolved over a period of 20 years. The write-up references film reviews by well known film critic, Roger Ebert…
Download full paperFile format: .doc, available for editing
Download file to see previous pages
Yimou began his career by making films thate looked at the past, present, and the future through a futuristic eye. He emphasized a lot on the resilience, even the stubbornness, of Chinese people in the face of hardships and adversities. The films dared to deconstruct China and reform the culture. His earlier films appear to be influenced a lot by his background and the life struggle. However, it is quite surprising to observe that Yimou has changed his track completely to make some morality fables and period martial art movies. The message from these movies also was quite confusing, considering his previous reputation as a dissident filmmaker (Salazar).
Zhang Yimou was born in 1952 in the Xi'an province of China. He grew up in socialist China where class struggle dominated life and literature. His father and brother were associated with the Kuomintang (Nationalist party). So, as a child, Yimou suffered stigmatization and ridicules. The Cultural Revolution of 1966 forced him to quit studying and start working as a farm hand and laborer. Meanwhile, Yimou developed interest in painting and amateur still photography. He used his portfolio of photographs to gain admission to the cinematography department of the Beijing Film Academy in 1978. In the film academy, Yimou was exposed to art films by various European, Japanese, Chinese, and American directors, including Fei Mu, Kurosawa, Tarkovsky, Antonioni, Scorsese, and Truffaut. He graduated from the film academy in 1982 along with stalwarts such as, Chen Kaige and Tian Zhuangzhuang. The influence of these art films and such compatriots can be seen in all of Yimou's early films.
Yimou started his cinematic career as a director of photography (One and Eight, 1984). In this very first venture, his unique talent was highly visible. He shot his pictures from obscure angles and captured the color stock as though it were black and white. He positioned the actors at the side, rather than at the center to improve the dramatic effect. He also used unique visual styles, based on the asymmetrical and unbalanced composition of the shots.
Earlier Films - Theme and the Cinematic Vision
In 1987, Zhang Yimou embarked on his directorial debut, Red Sorghum. The movie brought Yimou a lot of critical acclaim and catapulted him into the forefront of the world's art directors. The film had a lot of lush images, though the plot was simple and short. It told the story of Jiu'er, a poor girl who is sent by her parents into a pre-arranged marriage with a much older man. Thereafter, the tale revolves around the life and struggle of Jiu'er and finally her tragic end. The movie is very different from the faster and cheaper forms of Hollywood color films, primarily because of its strong melodrama and the overwhelming visual quality. The cinematography splashes its passionate colors all over the screen with abandon. The visual impact of the film is voluptuous. Yimou has used the red color as a symbol to represent passion. For Jiu'er, the red of masculinity dominates the wedding sedan, the wild sorghum, the sorghum wine, and the fire that consumes her at the end. Red Sorghum breaks cultural taboos against representing female orgasm, ecstasy, and reproductive continuity onscreen. Bold close-ups of the heroine's face, such as in the wild-sorghum abduction scene were new in mainland Chinese cinema. However, Yimou showcases female desire as
...Download file to see next pagesRead More
(“Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 words”, n.d.)
Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 words. Retrieved from https://studentshare.org/history/1505142-chinese-cinema
(Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 Words)
Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 Words. https://studentshare.org/history/1505142-chinese-cinema.
“Chinese Cinema Case Study Example | Topics and Well Written Essays - 2250 Words”, n.d. https://studentshare.org/history/1505142-chinese-cinema.
Many western companies are considering the formation of joint ventures in China, in view of the great potential they offer for a vast market for their products and the availability of cheaper labour force. Nonetheless the existence of differing management styles between Chinese partners and foreign investors create problems in the negotiation of business deals and formation of the joint venture arrangements.
“Given the recent acceleration of the globalization process, successful firms cannot afford to wait until the home market becomes unattractive, but must take proactive actions to capture the benefits of operating around the globe.” (Mellahi, Finlay and Frynas, 2005, p.8).
The price should also be favorable before the goods are imported into Chinese markets due to the increased import duties and taxes. Favorable prices will ensure more Chinese customers despite the import duties. It will also attract middle income earners
From this paper we can conclude many different things, namely the fact of just how much American cinema has affected and influenced Chinese cinema overall, and, being an imported form, cinema in China has been influenced by foreign films, particularly by that of Hollywood films in the 1920s-1940s and Russian films in the 1950s-1960s.
While the community centred world continued to work on the planned economies, the west went the free economy way. Whereas, the planned economies suffered a major set back when the Russian economy fell taking with it many of the planned economies as well, the free market economy kept on improving on its performance.
It was 16 years ago when China came up with the idea of developing a modern industrial township with their Singapore experience at hand. Deng Xiaoping, the former China leader, recognized Singapore's achievements and at the same time, China's potential.
The author states that the patient’s illness dates back to a diagnosis of colorectal cancer in June 2007. This diagnosis followed a history of prolonged constipation for many months. The colorectal cancer was treated with hemicolectomy and ileostomy. Following the surgery, these symptoms started and had persisted for 7 months now.
39), upon the beginning of his economic reform process in 1978. The idea of individual wealth goes against both of the major philosophies in China - that of Mao Tse-Tung, the longtime Chairman of the Communist Party in China, and that of Confucius, the renowned philosopher of ancient times (Redfern and Crawford, 2004).
Both EPZs and SEZs promote investments in export oriented activities but SEZs have become a prime catalyst for regional development in China. This is because of their diverse products and services. Asian EPZ's restrict their foreign investments to manufacturing.
e HRM issues involved in the growth of a US imaging major company in China and the relevant Human Resource Management issues involved. (Heracleous, L. 2001)
China has often been described as the final frontier of Globalization. (Heracleous, L. 2001) At the time of Kodak Chinese venture George Fisher the Chairman of Kodak stated, "to be the leader in the world, you have to be the leader in China."( (Heracleous, L.
8 Pages(2000 words)Case Study
Save Your Time for More Important Things
Let us write or edit the case study on your topic
with a personal 20% discount.