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The stereotypies in cartoons: the influences from African American cartoons - Research Paper Example

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THE STEREOTYPES IN CARTOONS: THE INFLUENCES FROM AFRICAN AMERICAN CARTOONS Date Cartoons have depicted the sociopolitical attitudes of their readers and writers throughout history. A stereotype is an opinion or thought that is adopted about certain types of people (McCauley, 1980), or specific ways of performing things…
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The stereotypies in cartoons: the influences from African American cartoons
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Download file to see previous pages Black representation of American cartoons evolved between periods 1928 and 1954. Blackface minstrelsy figured in black representation heavily at first. In the late 1940s, there was a diverse amount of back images which were as a result of technological improvement and increase in prominence of African American stars. Animators resorted to black images which were minstrelsy derived in the 1950s due to the decline of roles in African American films. As blackface transformed in the earlier sound cartoons to an image meant for only black character black restricted from cartoon design which was generic, black animated characterization emerged. Animation studios began to differentiate significantly animal characters from black characters in the early 1930s. In the mid-1930s, cartoon studios focused on coming up with characters which possessed robust personalities. However, a lot of black characterizations were based on black actors and blackface minstrels. During World War II, the artistic expressions of African Americans influenced the development of cartoons. However, this did not influence a studio’s black images. ...
He argues that the interpretation of African American’s social and cultural expression was distinctive. White animators used cartoons to depict the cultural characteristics of the black Americans. Many of the first American animators based their cartoons black representations. Many of these representations were caricatures. They were often rooted in the slavery culture. Lothar was the first black American character to be included in a comic strip. He appeared in the 1930s in Mandrake the Magician. Lothar was the sidekick of Mandrake: the strongman who adorned a Tarzan style costume. Lothar was depicted as being uneducated, and poor. Black characters in comic strips or animations have received a mostly negative treatment. The early cartoons mostly showed black characters in a specific fashion. It concentrated on certain physical features, which enabled to create a racial caricature that represented black faces. These features were meant to be recognizable. These stereotypical features included broad noses, unkempt hair that was long, ragged clothing which represented those adorned by black slaves, dark skin and big tinted lips which were red. Additionally, the characters were shown to speak accented English. These depictions of the African Americans were observed frequently in the early 20th century in America. They were included in newspapers as comic strips or political cartoons. Additionally, the caricature features, which depicted black Americans, were present in the first cartoons made by Looney Tunes and Disney. Some heroes and nameless bystanders were developed using this style. For example, the development of a steam boat who was Billy Batson’s valet and ebony white who was the spirit’s sidekick. Will Eisner who is an artist and a writer is ...Download file to see next pagesRead More
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