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Tragic Hero or not - Research Paper Example

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Aristotle defined tragedy as “Tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify…
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Tragic Hero or not
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Download file to see previous pages He had his vulnerabilities and tragic flaws which caused his downfall. But they were his intentions and his madness in love which made him righteous too at that time. How else does Othello count as a tragic hero? Let’s reflect on that.
Othello, the Moor of Venice is one of the most renowned tragic heroes. He is the protagonist of the famous William Shakespeare play, Othello.His relevance to the literature as a tragic hero has been debated over and over again.While many literary authors believe that he is a tragic hero, there are some who oppose the view. What makes Othello a tragic hero are his intentions which were always righteous. He never had any ill motives towards anyone. His character had flaws of vulnerability and over-trusting. To his irony, he ended up over trusting Iago, his confidante. Iago exploited his trust and maneuvered circumstances which ultimately paved for his downfall. Othello is shown to be madly in love with Desdemona in the love. His life defies logic, it is pure. He is shaken to know that he has been betrayed and has been wronged. His vulnerabilities pave way for him to react ferociously leading him to kill his beloved only to realize towards the end that “he loved too much but not too well”. By all accounts, this gratifies him as tragic hero with tragic flaws. In Othello’s case his tragic flaws were his blind faith trust in Iago. The paper throws light on Othello’s development and disintegration as a tragic hero in this great play by William Shakespeare. The paper draws a connection between Aristotle’s perception of a tragic hero and Othello. How does his character befit the Aristotlean analysis of tragedy and a tragic hero.?
Discuss William Shakespeare’s Othello, the Moor of Venice as a tragedy. As defined by Aristotle, is it correct to label Othello a “tragic hero” and to classify the play as an Aristotelian tragedy?
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