Othello-the Moor of Venice- The Tragic Hero ENGL 102: Literature and Composition Fall D 2011 Marsha S. Martin L21944557 MLA Outline you could do a bit better with the outline The concept of tragedy by Aristotle. What did Aristotle say about tragedy? How does tragedy relate to Othello…
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Why does he behave the way he does? On what note does it end? Thesis Statement: Tragedy has been defined by many theorists. Aristotle defined tragedy as “Tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends....” (Janko) The concept will be elaborated further in the paper. Given the deep rooted definition, Othello is hailed in the literature world as the biggest tragic hero of all times. He had his vulnerabilities and tragic flaws which caused his downfall. But they were his intentions and his madness in love which made him righteous too at that time. How else does Othello count as a tragic hero? Let’s reflect on that. Draft of the essay: Othello, the Moor of Venice is one of the most renowned tragic heroes. He is the protagonist of the famous William Shakespeare play, Othello.His relevance to the literature as a tragic hero has been debated over and over again.While many literary authors believe that he is a tragic hero, there are some who oppose the view. What makes Othello a tragic hero are his intentions which were always righteous. ...
His life defies logic, it is pure. He is shaken to know that he has been betrayed and has been wronged. His vulnerabilities pave way for him to react ferociously leading him to kill his beloved only to realize towards the end that “he loved too much but not too well”. By all accounts, this gratifies him as tragic hero with tragic flaws. In Othello’s case his tragic flaws were his blind faith trust in Iago. The paper throws light on Othello’s development and disintegration as a tragic hero in this great play by William Shakespeare. The paper draws a connection between Aristotle’s perception of a tragic hero and Othello. How does his character befit the Aristotlean analysis of tragedy and a tragic hero.? Discuss William Shakespeare’s Othello, the Moor of Venice as a tragedy. As defined by Aristotle, is it correct to label Othello a “tragic hero” and to classify the play as an Aristotelian tragedy? Othello-the Moor of Venice – The Tragic Hero A tragedy always results in death of the protagonist. The concept was first defined by Aristotle in 250 B.C in the following words: “Tragedy is the imitation of an action; and an action implies personal agents, who necessarily possess certain distinctive qualities both of character and thought; for it is by these that we qualify actions themselves, and these- thought and character- are the two natural causes from which actions spring, and on actions, again all success or failure depends....” (Janko) Tragedy has been a conspicuous part of classical literature throughout the course of history. It has been shown and portrayed in various plays from Oedipus Rex to Hamlet to Romeo and Juliet. Aristotle explained the concept of a “tragic hero” in Poetics. According to him, the tragic hero must fall due
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It deals mainly with tragedy and here too with Greek tragedy which alone was known to him. He wrote at a time when there was no literary criticism to go by except Plato’s attacks, not on tragedy as such but on poetry in general. Again and again people refer back to Aristotle, when dealing with the nature and function of tragedy, when they deal with the concepts of tragedy and morality.
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Milton’s work is quite difficult to understand and my own understanding of Paradise Lost is greatly shaped by criticism from critiques such as C. S. Lewis, Waldock, William Empson, William Flesch, and Regina M. Schwartz. This paper is a critique
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