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Like Calixta, women had to suppress their sexual desires and conform to societal marriage norms. Chopin symbolically uses the storm to mean the meteorological condition of the atmosphere with strong winds and rain, thunder and lightning, and dusty wind. This parallels with a literary storm evident in passionate and intense emotion between two past lovers, who coincidentally, reunite during an intense meteological storm (131). For Calixta and Alcee, their reunion evidently brought sustenancial satisfaction evident in “The generous abundance of her passion… found response in the depths of his sensuous nature that had never yet been reached.” (133) indicates that the two turned to each other to fulfill their sexual wants and needs.
Both literary and emotionally, the story focus around the storm’s primary motif. Initially, Calixta is unaware of the upcoming storm and continues sewing despite the atmosphere growing darker and warmer (130). However, her journey to collect clothes outside bumps her to Alceem Secondly, the storm truly begins with “big rain drops…” falling at the same time Alcee rids into Calixta’s compound to shelter from the rain (131). Finding Calixta alone, Alcee keeps her company, but uncontrollably reminded of previous romance. Thirdly, the storm intensifies outside as sheets of water beating upon boards and the lightning striking a tree. Alcee and Calixta find themselves holding each other as she tries to avoid the crashing lightning (132). Like the storm, they yield to their desire for pleasure, and their overwhelming feelings made it possible to ignore the torrents outside, as if a wall isolated them from reality. This compared to the storm obscuring distance cabins and the distant wood. Fourthly, the storm subsides and passes, leaving soft rain drops. Calixta remains in Alcee’s arms both are happy for overcoming
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The author states that as is customary of Kate Chopin’s writings, where her female characters are portrayed to be different from the typical woman encountered during those times or rather the typical woman, one expected to encounter, Louise Mallard of this short story, also serves as one such character.
According to the research findings, themes of feminism, social order, and race featured in many books by Kate Chopin, as she challenged the moral sense behind these societal impositions. The conflicting and ironic ways in which these themes revealed themselves to her main characters was also a Kate Chopin signature.
In this sense, The Yellow Wallpaper by Charlotte Perkins Gilman and The Storm by Kate Chopin demonstrate a number of similarities. For one thing, both stories develop gradually using symbols until they arrive at the climax after which the stories end abruptly.
The aspect of narration which strikes one immediately is the fact that the protagonist is referred to as Mrs. Mallard through a large part of the narrative. Divesting the protagonist of a distinctive name and identity of her own may, however, well be said to be a deliberate symbolic strategy on the part of the writer.
If we recall about the beliefs and opinions on the topics Chopin raised in "The Storm" that existed at the period when the story was written, the fate of this story won't astonish anybody. The thing is that for the 19th century America the idea to compare feminine sexuality to the storm seemed weird an appalling.
Within the context of the stated scene, Arner insists that Chopin let the two speaks and act for themselves, with hardly any noticeable authorial intervention. While the article contains valuable insights into "The Storm," Arner's persistent interpretation of the story solely through the lens of realism detracts from it, because it disallows the interpretation of its symbolic meaning.
It's obvious that the settlement where the story unfolds isn't very big, and that there are no asphalt roads there. The dwellers of the town or village also know each other, and it is small so that one of the protagonists accidentally finds himself near the house of the woman he liked very much when the storm is coming
n’s rights to explore their sexuality, to enjoy the sexual act as equal partners and to apply the same standards of sexual morality to their behavior as men do.
The strongest influences exerted on Kate Chopin during her formative years, were feminine: her mother, her
the short story named as The Story of an Hour is entirely different because there is less evidence to prove that the protagonist (say, Louise Mallard) is the victim of domestic violence originating from male domination. Thesis statement: The characterization of Mrs. Mallard in
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