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metaphor, irony, and oxymoron, that the political is also poetic, wherein the poetic confirms the death-denying ideologies of people through the oxymoron of a silent poet.
“What He Thought” uses enjambment to depict that political actions are poetic, in the sense that they reflect the innermost emotions, which are present in Flight from Death: death anxiety and the need to safeguard death-denying ideologies. The studies in the film, which aim to prove the influence of death anxiety on human attitudes and behaviors, establish that, when reminded of their death, people tend to support more those who are similar to them. One of the enjambments in “What He Thought” helps American poets connect to Italian poets: “…Among Italian writers we/could recognize our counterparts: the academic,/the apologist, the arrogant, the amorous,/the brazen and the glib” (McHugh 11-14). The American poets are not comfortable with differences because they will fear the Italians as potential reminders of death, so they seek to find similarities between them as much as possible. Furthermore, identifying similarities should go beyond having the same interest in literature, but also in politics, because politics is an important way of affirming life. McHugh’s inclusion of the German suggests historical differences between American and German politics: “where it must have been abandoned by/the German visitor (was there a bus of them?)…” (27-28). The enjambment suggests a tone of superiority against the Germans, as if a bus of them is an affront to a bus of Americans. These enjambments emphasize the need of poets to be related to fellow poets, or else they will feel conscious of linguistic, political, and cultural differences, differences that remind them of their deaths.
Aside from enjambment, McHugh uses metaphors and irony to illustrate the clashes that arise from the interaction between different death-denying beliefs. The metaphor of God as something that is
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