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Up To Interpretation The modern era of artwork has seen a fundamental shift in the means by which the public interacts with art. Whereas before, the artwork was somewhat straight forward and readily discerned, the artwork of the modern period has left a great deal more up to personal interpretation; choosing to exploit the constructivism that has defined so much of our modern era. As a means of fully appreciating such a reality, one has to question the true nature of art: whether its subjectivity is an overall strength or an overall weakness.
According to Janoaro and Altshuler (2012), “The treasure of art, however, is that its reality lives on after its subjects die. The final product is an addition to reality, not simply a way of reproducing it” (108). As such, it is the strong belief of this observer that Janoaro and Altshuler have perfectly encapsulated the heart of the matter regarding art and its appreciation. Rather than confining art to a type of fantasy in which one must only appreciate within the garb of tired convention and conformity, the availability of modern art to allow for a type of constructivism and subjectivity is one of the greatest developments that art has seen come to fruition over the past 100 years (Shiff 2012).
Due to the introduction of this level of subjectivity, art has been able to mean more to individuals who may otherwise have never had an interest in the convention. Moreover, it has provided for a type of open mindedness that has allowed the arts to grow and develop in ways and at a rate that would otherwise have been considered impossible. ReferenceShiff, R. (2012). REGARDING ART AND ART HISTORY: Unexplained. Art Bulletin, 94(3), 339-343.
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