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c. The interesting mention of Beatrice who seems to be out context because she was only mentioned and not explained and this begs the question who is Beatrice particularly in the passage “The prophecy by Ciacco of the fall of Dantes party, Canto vi., and that byFarinata of Dantes exile, Canto x., which Virgil had told should be made clear to him by Beatrice” (Canto XV).
These cruxes identified in Dante’s Inferno cannot be interpreted literally by relying merely on Dante’s text of the Inferno. The reader has to take account of Dante’s other works and inclination in order to understand the identified texts. For example, in the first crux which was in the introduction part of Canto X in the sixth circle of hell of Dante’s Inferno, what actually Dante meant in this passage is his personal amusement and curiosity if any of his friends from Floernce are in hell. He was tempted to ask one of sufferers but did not really get the satisfaction with the reply.
With regard to the old man in Canto XIV, this passage is reminiscent of Dante’s aptitude in classical text such as the text of Ovid’s Metamorphes where the metal composition of the head of the old man is made up of the four ages of history: gold, silver, brass and iron, which is typical of its civilization’s rise and decline. The old man looks at Rome because his feature is characteristic of Rome’s strength and weakness. Its strength is in the right foot made of chosen iron indicating strength in the leadership of the empire. On the left is its weakness as it is made of clay, implying declining influence and the corruption of the church.
The third passage in Canto XV which mentioned Beatrice could never be understood or explained by just relying on the texts of Inferno. The reader has to refer to Dante’s personal circumstance and other works in order to understand the significance of Beatrice. Beatrice was, in
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The relationship between the two figures is pivotal. Virgil stands in as a symbol of reason as much as Dante stands for humanity. Virgil explains everything to Dante along the way, showing him the path through hell and letting him in on the true terrors of the place.
The university is after all wild and it is believable that such a forest could have escaped my eyes earlier. I wasn’t scared to enter it since I was fond of adventures. I set foot into it and immediately began to feel warm all over; I began to feel unpleasant and would have left if it hadn’t been for the dwarf who greeted me.
The Hell described by Dante is based on different concepts including that of the Catholic Doctrine of that time but Dante has added some details which can be regarded exclusively as Dante’s own. The poem explains Hell as nine circles of suffering. Each circle of Hell represents a specific sin and the people who commit those sins are sent to those respective circles of Hell.
Underneath, Aeneas meets several important characters in his life, as well as the future leaders of Roman history. In Inferno, Dante goes through the nine circles of Hell with a poet he greatly admires, Virgil. These circles have subzones, where sinners are divided according to the type of their sins.
There are certain codes or principles that govern the world and its people. These principals have different terms such as ethics or laws that govern the land. Due to the applicability of search codes, people really take time to reexamine themselves or the world.
2). Upon meeting the dead poet Virgil, they both embarked on a journey into the depths of hell, wherein during such voyage Dante (the poet) can be observed to transform from a man that shows compassion and empathy to sinful souls, into a man that condemns all sinners in hell.
Though originally written in Italian between 1308 and 1321 AD, the work is widely translated and its themes are drawn upon by generations of writers since. Written in first person narrative, the comedy is about the imaginative events and experiences of Dante as he traverses through Inferno, Purgatorio and Paradiso in his afterlife.
A Pilgrim's Progress begins with a Bunyanesque Christian sensibility, but with a greater deliberation not just towards Salvation, but he makes manifest the reality of the sin through the law of retribution. The topographical structure of Dante's hell is also of major value, since Inferno occupies the cone-shaped abyss formed at the moment of Lucifer's fall.
The circle was arranged depending on Dante’s perspective of the gravity of sin beginning with the Limbo where non-Christians are punished and in his vortex of hell is the sin of treachery. Each circle has its corresponding retribution but the three circles
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