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Othello totally believes in the concept of love with full commitment and nobility. He believes in the absolutes. lago subscribes to no particular thought and believes least in human beings. The book’s popularity can also be traced to its modern nature. At the core of intrigue is the very realisation that the play is matter of a private life affair than the other great tragedies. This impression is supported in a number of ways. Othello is a depiction of modern life as the drama depicts contemporary life. The characters appear very close to the readers than in Hamlet or Lear. Many people will realise that Othello employs a sense of beauty that is not available in most plays of the time.
Of Shakespeare’s plays, Othello stands out in one important respect: beauty. The play employs much steady rhythm, peculiar phrase and a sense of serious imagination which blend together to create a lucid and clear feeling in the mind of the reader. Indeed, this beauty is only evidenced in two other plays i.e. Romeo and Juliet and Antony and Cleopatra. However, Othello has another form of beauty. Except for the brief trivial section of the clown, everything is much attached to the central issue and nothing requires any solid justification. At best, the drama has a dense of intellectual beauty which fulfils the aspiration for order and harmony between the different parts and the whole. At the same time, the book glows with much moral beauty. We see the figure of Desdemona in a love situation which is not affected even in the worst of events.
A sense of incompleteness in the play gives way to innumerable cases of men at odds with one another. Several ‘parts’ exist in the play which create the wholeness albeit with some incompleteness. lago appears universal, because he represents many things at a single instance. His style and temper make him become the villain of the melodrama. He
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However, this is not true. The plot made by Lago was too strong and appealing for Othello to reject. Lago assumed a very intimate relationship with Othello and hence, was able to retrieve the handkerchief that Othello so adorned as the symbol of his love and relationship with Desdemona.
Brabanzio’s attitude to women is evident when dealing with his daughter (Shakespeare 24). Brabanzio learns that his daughter and Othello are secretly married when Iago and Rodrigo inform him of his daughter’s disappearance. When Brabanzio is sure that his daughter is missing, he commences a mission to search for Othello with the help of officers.
The principal character, Othello, believing (wrongly) that he has been cuckolded by his wife Desdemona, feels that the only way he can defend his honor is by killing her. He also feels that by doing so, not only would he be redeeming his honor but would also be sending a message to others on the fate of women who betray their husbands.
He puts this down to magic, as if their love is caused by some sort of drug, which shows his modesty and his gratitude at this surprising turn of events. In the second passage he appears as a somewhat boastful person, telling tales of his exotic past,
Later in the play Lago murders his wife which could be due to his strong hatred for women. He is an extremely cunning individual and makes various characters in the play believe that he has their best interest at heart. He enjoys watching the downfall of people, so his
The Othello relationship with Desdemona is one of the instances that portray Othello’s race as a determining factor for his downfall. Many scholars interpret Othello as a white man in the body of a black man. Additionally, acknowledging that
Answer: My initial impression of Iago is that he is an ambitious and vain man. He is angry that Othello did not choose him as his right hand and he ridicules Cassio as someone who does not know what real war is.
He knows he is evil and he does not even hide it from others who know him well. He has no honor and shame. The film Othello, directed by Oliver Parker, reflects who Iago and Othello are in the play. Iago and Othello are the foils of each other,
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