Jewish culture and cartoons - Research Paper Example

Ideally, the information gathered herein is very essential as it helps in reaching to the disabled and prejudiced in Israel and empowers them to be acceptable in the society (Kaplan 125-146). The story dates back to 1933. It was in the course of 1933, that the Global world was experiencing vibrant and seismic changes in the political and modern culture field. Their lived a Jewish Novelty Salesman identified as Maxwell Charles "M.C." Gaines, who had a lot of passion in reading old comic strips, he had read various books since he was jobless.

He initiated a very brilliant idea, as much as he loved reading comic books, there was a probability that even other Americans could develop such an attitude. Such an idea, from Maxwell enhanced the birth of an American Comic book. The book was reprinted in newspaper comical. Famous Funnies #1, Series 1, was thus published in February 1934, by Gaines and Harry at Eastern color printing. Publishing of this book enhanced a rise in rival comic book publishers. However, this did not last long and by the mid 1930s publishers has already drained the backlog of both daily and Sunday strips that were to be reprinted.

The only opportunity that had been left for the emerging comic book features was to faucet writers and writers, who had no access to any literature, either due to their young age, untested or the Jewish. The advertising bureaus had anti-Semitic quotas, and newspaper consortiums only rarely got a token Jewish cartoonist like Milt Gross or Rube Goldberg. However, most of the Comic book companies were manned by the Jewish publishers, like, Timely Comic’s Martin Goodman or DC Comic’s (Harry, Baskind, Sherman 145-155).

The situation could be reflected to the olden times motion picture industry, through which the Jewish Directors, producers and the studio executives who experienced anti-Semitism in other industries, resolved into setting up their own. Since the comic book stories, had taken