This paper shall discuss the thesis that in a profound understanding of the structure and meaning of the novel “A Tale of Two Cities” by Charles Dickens, it is fundamental to comprehend the relationship between the several subplots and the overall structure of the novel…
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This paper is a discussion of the Linguistic and Literary Issues in “A Tale of Two Cities”.A major characteristic of “A Tale of Two Cities” by Charles Dickens is the tightly unified subplots of the novel. Throughout the novel, the novelist has been careful in adroitly interlinking the different subplots. The novel mainly deals with two parallel plots: the love relation between Charles Darnay and Lucy Manette and the historical events connected with French Revolution. However, there are several other underlying subplots distributed throughout the three Books of the novel. They include the story of the great sacrifice by the good-for-nothing lawyer Sydney Carton, the comparison between the two cities of London and Paris, the atrocities of the aristocrats etc along with the stories within story such as the imprisonment of Dr. Manette, the story of Madame Defarge. The overall setting of the novel is based on these interconnected subplots which contribute to the each other as well as to the meaning of the novel in general. The novelist has been effective in presenting the major themes of the novel through the literary device of setting. It means that the setting of the novel which incorporates the interrelated subplots functions as a literary device to the novelist in his ultimate conveyance of the major themes. Therefore, the subplots in “A Tale of Two Cities” work in relation to each other to reveal the major themes of the novel.
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The final line of the novel (“It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to, than I have ever known”) is constructed as a double. This makes the reader remember the beginning of the novel, which also is a double.
But those words remain important throughout in a wide variety of ways. Many characters are recalled to life throughout the course of the novel, in ways that usually specifically highlight the proclivity of humans to hoist deaths of various sorts on each other.
The narrator seems insane due to the fact that every man on earth has the inner struggle about right and wrong acts. He, on the other hand, pictured this moralist of his inside as a real man of flash and blood which actually manifested him to weight his capabilities which were no less than any average man of intellect.
Linguistic and Literary Issue 1: In the linguistic analysis of literary texts, it becomes evident that coherence and cohesion are part of the linguistic system which are "expressed through the stratal organisation of language" at the levels of the semantic system, lexico-grammatical system and phonological and orthographic system.
Issue 2: The linguistic form of complicating action is "temporally ordered narrative clauses with a verb in the simple past or present" where as that of resolution is "expressed as the last of the narrative clauses that began the complicating action." (A Sociolinguistic Model of Narrative)
n the different subplots and the structure in A Tale of Two Cities divulges the underlying meaning of the novelist which in turn contributes to the popularity and universality of the novel.
A major characteristic of A Tale of Two Cities by Charles Dickens is the tightly
They included deixis and the use of articles, the anaphoric ways of referring to a participant, improved understanding of tense, aspect, mode, and voice in verbs, subject selection, object selection, the functions and thrust of sequence signals, and the function of mystery particles etc.
A distinct theme is developed in the leading character to accord an identity to the writing. Various themes have been developed to predict the outcome of events introducing the characters within the writings that develop the
The author states that there was a growing discomfort with the regime and the conspiracy by the parties involved. At a metaphoric level, it is an accurate description of the cold-blooded vengeful and stealthiest of the revolutionaries. The passage is a close association between fate and vengefulness, which is linked to weaving in Greek mythology.
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