Author Tutor Course Date The Red Convertible Louise Erdrich’s The Red Convertible is one of the short stories in the anthology of Love Medicine. It is the story of the relationship between two brothers, Henry and Lyman Lamartine. Lamartine recounts his experience with his brother…
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Angered, Lyman smashes the convertible. Henry realizes their convertible is run-down. He repairs the convertible and they drive to the river with his brother. The two make a fire by the banks of the river and spends the moment talking. They disagree and fight. Henry jumps in the river to cool off. He drowns and Lamartine fail to rescue him. Lamartine starts the car and plunges it into the river. Symbolism in The Red Convertible The red convertible is an important symbol in the story. The brothers bought the convertible and used it to tour different places. The narrator expresses that they enjoyed each other’s company as they drove to different places together. This is a representation of the normalcy of life before the effects of war. Henry goes to war, and he separates with his brother. Lamartine takes the car apart to demonstrate their separation. After three years away from home, Henry comes back home a different man. Lamartine does not like how Henry comes home withdrawn and disinterested in the things they enjoyed before the war. He laments to see how his brother is not returning back to his old self. Out of this devastation, he bangs up the convertible. This symbolizes the torn relationship between the brothers (Erdrich 464). Henry confronts the brother after noticing the state of the convertible. This is indicative of the reality that war veterans face after serving in the war. They find things different as if in a new life. Henry manages to repair the convertible. This points to the repair of his relationship with his brother as the convertible was one of the things that held the two brothers together before the war. When Henry finishes fixing up the convertible, he asks his brother to drive to the river with him. Lamartine thinks that things will go back to normal. His hopes end shortly when Henry jumps into the river and drowns. After he is unable to save his brother, he sends the car plunging into the river so that to give it to his brother. The demise points to the destructive effects that war has on veterans. It destroys the veterans and their relationships with others. After Henry returns from the war, he does not change his boots and his clothes (Erdrich 464). This is indicative of the permanent memories that veterans carry from the war. These include the horrors and scars they incur in the war. He refuses to change into the clothes he wore before going to war. This expresses difficulty that war veterans experience in resuming their normal lives. Bonita takes a photograph of her two brothers before they drive off to the river. In the photograph, the two look different. Lamartine’s face that comes out as being round, big and right out the sun is the representation of a person who has not been to war. Henry’s face is wrinkled, drawn back and has shadows (Erdrich 465). This represents the state of the soul of a person who has been to war. Henry does not like watching the color television. He becomes violent to his brother over it. The color from the color television makes him re-experience the horrors he witnessed in the war. This is a common symptom with war veterans. Themes in The Red Convertible Change Change is most prominent in the story. Henry and Lamartine start as good friends who trust each other and enjoy each other’s company. They buy the red convertible together and gets away on a summer vacation. Their adventures in the red convertible express their innocence and freedom in life. They appreciate one another and are close. Henry slept
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Indeed, the women in the text have even learned means of having virgin birth, allowing them to repopulate their society over the 2,000-year existence. While an interesting plot point, more significantly the all-female society functions as Gilman’s means of criticizing early 20th century Victorian social mores.
Due to her illness, he does not allow her to engage in any creative or mental activity but only wants her to rest. He especially discourages her from writing. John does not listen to his wife in regards to her thoughts and feelings. He feels that there is nothing wrong with her.
The state may proceed to cause depression in involved persons and trigger a fight back mechanism. The fight back occurs implicitly or explicitly. When the fight is implicit, suicidal emotions become elicited. On the other hand, explicit fights yield revolutions.
The story happens mostly in the room with the yellow wallpaper. The yellow wallpaper eventually evolves into a character, wherein the main character, the narrator, sees a woman caged within the wallpaper.
The title is very important in the context of the story. The author’s use of this particular title portrays the great talent and creative skills that she possesses and her amazing ability to visualize things in an abstract manner. The title of the story, The Yellow Wallpaper, is well suited to the ideas expressed by the author.
The author describes that this woman completely loses her mind by the end of the story, which is seen to happen in stages as she begins to recognize the faces and figures of other women trapped within the ugly pattern of the old yellow wallpaper. The imagery of this wallpaper begins to take on a life of its own in the mind of the woman.
The story majors on a certain woman’s mental deterioration. Psychologists have argued that the birth of a child can trigger a mixture of influential emotions. It could also result to depression. Some mothers have been known to experience a severe and long lasting type of depression known as postpartum depression (Booth and Mays 216).
Being a student, the author himself has experienced depression quite similar to the woman in The Yellow Wallpaper. But he said that he tried to seek distraction from friends, music, and available entertainment from the internet. And these activities take him off the unhealthy state of his mind and psyche.
Some of the stylistic devices that enhance the flow of the story include symbolism, imagery, and allegory. The author also uses various linguistic techniques to create meaning and improve on the quality of the story.
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