Batman Superhero Movies and Series - Essay Example

Batman superhero movies and series Batman film fame has seemingly outgrown the current trend in the industry. Films are naturally political, and the relationship between film and politics is a constantly evolving one through which academics can gain insight into our national culture and collective memory. Since film creation develops in response to the market, today’s films can say a lot about today’s society. One of the most popular films of the last few years has been Batman series grossing over 2.3 billion dollars worldwide. Although the Batman series has developed independent of partisan politics, the film is common with political themes such as established justice, lawlessness, vigilantism, terrorism, and corruption. By comparing the politics of the Batman series to other original series, a series featuring an abundance of similar themes as well as academic and political regard, his creative innovations stand out as spectacular (White & Robert 73). Therefore, I plan to argue not only that the film acts as a political magnifier, but also how Batman is one of the best movies over the last decade and how Batman series are better than other movie series. First, in the Batman films, Director Burton has created a wicked world of misfits as compared to any other current film in the industry. In his production, all of the films bring out a mixture of horror, sympathy, and playfulness (Hatfield & Kent 59). The director’s innovative brain in the films stands out as his hallmark, a spectacular input that has branded the collections of Batman as of more public demand than any other film of late. As to affirm this proposition, an excerpt from New York Times describes some of the inside brains behind the success of the films as outstanding. For example, Michael Keaton features a person who has brought appropriate earnestness in the production of the films. As for Danny DeVito, he stands out as the conveying nerve while Christopher Walken as a ‘wonderfully debonair’. The resonating nature of Batman productions does not augur well without the mention of Michelle Pfeiffer who has remained as a captivating, fierce, and seductively ruthless actor as Batman uses these actors to ride the audiences back to the liberating darkness of dreams (White & Robert 84). This is what made a movie like Batman Returns as the summer’s most explosive and captivating film/movie. For example, as for the actor Michelle Pfeiffer, Batman stitches so good the feminist avenger of a tough core of intelligence in her role. This classic dazzler role pins these movies at the charts of the most interesting innovation the industry has had to sell to the public (Langley 88). This has placed Batman creativity at the best of all. In his masterpiece movie, Returns, Batman accomplishment lies in the amazing physical realization of an imaginative universe. Through his director Burton, he not only re-creates his one of a kind atmosphere but also ones-up it, and even two-ups it as well. This evokes the psycho-murky worlds in which the characters operate and reside. For example, Penguin holds court in a penguin-crowded, Phantom of the opera like sewer home (White & Robert 92). One can also realize that Keaton hides in a castle like mansion as this brings out the owner’s inner remoteness. This movie creates a seamlessly, utterly consistent universe filled with nasty notions. It captures the immediate societal degradation, greed and other base impulses, themes which incarcerate the immediate context the audience's brush shoulders with hence making the film/movie not only relevant but also feasible in the world we are living (Langley 76). This has made Batman movie Return famous even though critics have found its anti-Semitic overtones in Penguins character not appealing. Batman series is objectively better than any other superhero stories. Like many arguments online, Batman series is built up by intelligence and careful preparation. Batman’s regular stories are interesting making it the best series that has weathered the fortunes of time. For example, in confronting his challenges, Batman’s insistence on moral code against murder is much more impressive because he actually risks his life for the cause. His every day confrontations are still interesting for all those years. For the audience, following his series emanates the catharsis, a feel that he is always going to win. It is Batman’s multiple choices and methods of tackling his tribulations that render the series a masterpiece (Hatfield & Kent 69). Batman does not go immune and let go loose his predators or let them die of old age. For example, in so many occasions, Batman has had to turn a thug with a gun into one of the coolest takedowns of all time. He occasionally disarms the good person instead of the murderer, just to keep things interesting. This is the reason as to why Batman maintains brilliant series all through in the film. For example, in the Arkham titles, Batman superiority surpasses his enemies but remains vulnerable since he risked being shot to death the moment he screws up. This is what makes this series of victories fun. In its entirety, Batman series has that immortal main character, racing against time to save innocent civilians, as these bases on time limits, escort missions, and ever-stretching endeavors (Packer 103). This remains the reason Batman series is the best superhero series in recent times. Moreover, Batman has the best heroic movies ever. For example, Batman ‘The Dark Knight Rises’ is truly outstanding, an instant conservative classic (White & Robert 104). No other movie/film carries such political issues so artistically, commercially and philosophically. For example, the film is a direct polemical assault on the French Revolution and its political heirs and the Occupy Wall Streets. This represents the politics of Batman. The film illustrates no ideological sympathy towards the Occupy Movement (Langley 83). As one can see, Bane, the dreadful villain in the film practically occupies Wall Street. This role portrays him as at the center stage of controlling the trading floor of the stock exchange. The film espouses the market trends in the current world, which audiences encounter, a thing so unique in Batman’s production making his movies a darling of all (Hatfield & Kent 40). In this role, Bane helps to reveal the conservatism notion on the economy. One can literally realize that the police deal hesitantly with the emerging problem because of class warfare complaints. They act in view of that it is not their money at risk rather the people of Wall Streets’. Amazingly, a trader explains that it is everybody’s money forming the entire financial system, including the cop’s pensions too. It is this unusual role in this comic film that makes Batman’s creation a stunning release. Bane, a creation of Chuck Dixon and Graham Nowlan, implies a curse (Langley 102). The audience connects this symbolism in the movie to the resemblance of the never-ending war of class warfare. Moreover, the film is a throwback to the original Batman. It is not a comic book but a series of scenes where the whole masked hero genre bases. It exposes the Scarlett Pimpernel, the nobleman as the masked counter-revolutionary hero going round saving victims of the people’s justice away from the guillotine torture (Outlaw). It is this level that the conservatives posses a new hero, who now has a much nobler name than Pimpernel. The fact that batman gets to be himself in the series he makes his creation the best overall. As the title may insinuate in its odd sounding, it reflects about a man with a secret identity dressed up as a giant latex rodent. More surprisingly is that Batman least exposes himself to anti-vengeance motives. This series creation is such unique that the writers do not have to fight their own main character to continue the story line. This is the area where Batman series edges out another series like The Superman. For example, it would be palatable to understand that powers define a hero. When it comes to superman, he suffers superpowers like raising dump: he starts out manageable but keeps climbing until one has to tear the whole thing down and start again. Depowering superman only serves to make the audience appreciate their inner resolve and true heroism while extending the same audience to non-adventures of Man-man (White & Robert 86). Therefore, the question is whether what audience would follow if the Superman were not super. For example in Aliens verses Superman. The absence of such characters in Batman renders the series more reasonable to followers than any other series. Moreover, this is what makes Batman’s stories incorporate a tough mart guy versus a villain a reason to follow the series. Actually, the series are so fascinating such that a release of a new phase does not require one to go back 40 years to appreciate Batman’s film work (Langley 95). His stories have mastered the aesthetic charm of incorporating a new character each new movie or video game released. With the use of recurring characters in his series, Batman makes his creation even more enticing to his fans. When you compare Batman innovations to other movies or series, Batman is smart. This is the nerve behind his ever-popular series and movies. For example, Batman is a master detective, whereby in his story line, one can follow the trail and continually wonder how (White & Robert 70)? This may be an edge where, for example, he overturns other superhero series like superman. If one can reflect on the characters of the movie Batman Returns, the characters are the backbones of the movie. Even though they appear wild and far, the characters seem well grounded in the proceedings of the movie. It is this consistency aiming, which aims to build a vibrant story of personal tragedy that makes his series and movies a good spice for his audience. Batman Returns resonates with something the other competing movies fail to develop and incorporate in their themes. The film captures the dark gothic nature of Batman’s soul and the world he is living. This is what raises the film above other superhero movies. Batman’s smartness comes through the way he portrays Bruce in the movie, Batman Begins. Bruce appears as a novice, as this helps the audience appreciate his weakness as well as his rapid improvements. The followers are drawn to the nature of Bruce Wayne, vengeful billionaire orphan, who rises to become something more (Brooker 50). As a result, the film possesses great villains, as it stays grounded in its own particular vision of realism and this makes crime tactile in such a manner that Two-face robbing banks never were. This near fiction to reality in Batman’s series and movies are what places his collections to the pinnacle of other superhero films. Furthermore, Batman’s secret identity of Bruce Wayne, an American Billionaire playboy, as well as his industrial affiliation makes a catch for the vast audience to follow his antics (Zehr 98). His stories base from the outright murder of his parents, as he was a child and thus grow to engage in a mission of revenge against the criminal masterminds. As the series unfolds, one cannot fail to notice the pursuit of an oath tempered with the greater ideal of justice. The fascinating scenes are the realization that Wayne trains himself both physically and intellectually to combat the crime in his bat-themed costume (White & Robert 76). This series and movies are as involving as Batman engages his own audience into scintillating psychological battles on the best means to combat evil. In his operations at the Gotham city, he fights an assortment of villains, often regarded as rogue gallery (Halfyard 94). Unlike most superhero movies and series, Batman does not possess any superpowers rather he makes use of intellect, detective skills, technology, science, physical prowess, wealth, martial art skills, and indomitable will. In addition, the use of fear and intimidation in his combat of crime supersedes any other superhero series in the film industry. In conclusion, the skills and abilities exhibited in Batman’s series and movies translate to his own reliance on scientific knowledge, detective skills, and athletic prowess that helps build his film to a relatively higher ground than his fierce competitors do (Popper 60). The uniqueness and publicity given to his stories in film brands him as the most dangerous man on earth, a string that keeps his followers attached to his films. Hence, the unusual scenes where he can be able to defeat teams of super powered aliens by himself and rescue an imprisoned teammate, and his knowledge and expertise in almost every discipline known to man is out rightly unparalleled by any other character in other superhero films, thus Batman is dazzling (Wandtke 84). Work cited Brooker, Will. Batman Unmasked: Analysing a Cultural Icon. New York ;London: Continuum, 2001. Print. Halfyard, Janet. K. Danny Elfman's Batman: A Film Score Guide. Lanham, Md: Scarecrow Press, 2004. Print. Hatfield, C., J. H., & Kent W. The Superhero Reader. , 2013. Print. Langley, Travis. Batman and Psychology: A Dark and Stormy Knight. Hoboken, NJ: John Wiley & Sons, 2012. Internet resource. Outlaw, Kofi. 5 reasons Why ‘Superman vs. Batman’ Can Be the Next Big DC Superhero Movie. Web 18 Nov. 2013. < http://screenrant.com/superman-batman-movie-discussion-characters-story-villains/> Packer, Sharon. Superheroes and Superegos: Analyzing the Minds Behind the Masks. Santa Barbara: Praeger/ABC-CLIO, 2010. Print. Popper, Steven. Rethinking Superhero and Weapon Play. Maidenhead: Open University Press, 2013. Print. Wandtke, Terrence. R. The Amazing Transforming Superhero!: Essays on the Revision of Characters in Comic Books, Film and Television. Jefferson, N.C: McFarland & Co, 2007. Print. White, Mark. D, & Robert, Arp. Batman and Philosophy: The Dark Knight of the Soul. Hoboken, N.J: John Wiley & Sons, 2008. Print. Zehr, Paul E. Becoming Batman: The Possibility of a Superhero. Baltimore: Johns Hopkins University Press, 2008. Internet resource. Read More