Analysis of Alien Autopsy Film - Essay Example

The film Alien Autopsy mainly pertains to the footage of the protagonists who are suspected to be surgeons. This is verified by the underlying physicians who viewed the footage (Mantle & Noe Torres, pp54-67). The examination of the footage reveals features of medically conducted examination coupled with the aspects that implies that the assessment process was never carried out by experienced pathologist but rather a surgeon. The autopsy was in the medical profession but was never conducted by the pathologists. It is clear that the process of assessment was performed by a surgeon (Farrell, pp29-39). The point of disparagement arises on the type of autopsy that was performed. It mainly serves the rationale of determination of the reason of death rather than the erudition more about the alien life form. Conversely, this is explicable by the underlying conditions under which the autopsy was undertaken (Farrell, pp29-39). According to the prevailing cameraman, four living aliens were found at the crash site. One of them never survives the revival operation whilst the second and the third succumbed after a month. The fourth alien stay lived until the year 1946. The autopsy of the first creature is not known thus it can be taken to be the subject of the massive scientific autopsy. The filmed of the prevailing second and third autopsies were on the year 1947 to find the main cause of their abrupt death thus aiding in finding appropriate means of keeping the fourth alien alive. This could also aid in the establishing of communication and finding the reason why the alien had come to Earth. This was the main interest of the national defense forces as compared to the scientific study of an alien life form (Mantle & Noe Torres, pp54-67). However, there was assumption that organs were taken for further learning during the process of dissection. Moreover, according to the cameraman, the fourth alien was autopsied logically within a medical theatre in the presence of the leading scientist in United States, England and France. Santilli footage depicted metals samples that mainly take after the manufacturing modus operandi utilized in the building of the I-Beams within the Santilli debris footage. The footage was precisely rounds at section of the symbols which were impossible to be made within the present milling machines (Mantle & Noe Torres, pp54-67). The nature of the fractures, light and highly reflective appearance of the I-beams baffled Murphy that prompted him to conclude that the metals were made from very fine, crystalline structure manufactured with unknown technique. The hieroglyphs on the alien I-beams resemble the Greek and Phoenician alphabets, which have the common origin of family diverse from Semitic alphabets-Aramaic, Procanaanitic and Arabic that originated from the hieroglyphic alphabet. Inscriptions clearly belong to the same family of the alphabets but pre-date the Phoenician and the corresponding Egyptian culture found in Peru (Farrell, pp29-39). The film brings out the understanding of both the I-beams and then decodes their underlying captions utilizing languages from the similar context and language families as the main alphabets. There were also twelve toed foot prints on Anasazi petro glyphs within the Canyonlands of Utah. The signs designated their divine origin. There was controversy on the part of the Roswell footage because it lacked witnesses on the year 1947 UFO crash to confirm either bodies or the debris. Moreover, it contained smaller corpses that had four fingers according to the witnesses (Mantle & Noe Torres, pp112-178). The cameraman said that the crash site was amidst the Socorro and Magdalena. Santilli’s full story of the cameraman confirmed that he had leant about the crash on the year 1947, which dates the event back to the late hours of May, 1947. The conclusion was that the event of Roswell was totally different. The fact that the cameraman had been flown into the Roswell and brought to the underlying crash site by car caused him to think that he had been drawn in the Roswell incident. The instructions given by the cameraman aided in finding the small dry lake at the terminus of a canyon, which was fifteen miles from the White Sands Proving Grounds. This further confirms that validity of the site. Even though the photograph looked different it depicted that position of the canyon. An Air Accident Report that was written by General Nathan Twining of the Air Material mention the flying disc aircraft found at the White Sands Proving Grounds prior to July 1947. Moreover, the report covers full technical assessment of the craft classifying the telex disc crash within the vicinity of the White Sands Proving Grounds (Mantle & Noe Torres, pp54-67). Bigger meteorite was seen falling at the crash site according to the Native American children of the Acoma tribe. Cameraman said that after twenty four hours, the underlying crashed disc was still hot and there was the danger of fire (Farrell, pp29-39). This brings the assumption that craft was a fireball when it crashed within the late hours of May 1947. Santilli film on TV recognized three autopsies and Truman was standing behind the glass screen within the autopsy room. Truman wore a surgeon’s face-mask. The Truman was dying like flies because of the hostile intentions thus prompting autopsy. Moreover, the fourth extraterrestrial lived for extra two years. There was also common saucer-shaped UFO’s; cigar-shaped UFO’s which resembles bodies (Mantle & Noe Torres, pp54-67). These were also present in the Santilli’s tape. The photographs sent to the cameraman were able to verify the actual crash site. In September 1995, Santilli released the cameraman’s drawings that were advanced by graphic artist depicting the crash scene. Even though the scenery within the photographs looked a little bit different, they were found to be originating from the canyon. Canyon looked precisely as the one in the drawings (Farrell, pp29-39). On the place where he drew the underlying craft crashed into the corresponding cliff, there was sizzling off of rock as if they were detached traces. Moreover, above it was dry lake bed that located an ancient mine. The mine was the ancient Niggerhead Mine that was closed down in the year 1938 and later reopened during the period of war when manganese was valuable and required. It was finally closed down in the year 1945. According to the underlying cameraman, the Niggerhead Mine was reopened by the United States Government, nevertheless; with no mining on each day (Farrell, pp29-39). The mining operations were utilized as cover actions for the Manhattan Project. Whereas no one was capable provide any proof that the Santilli autopsy footage was faked, there are some convincing indications that the film was extremely genuine. In case it is a deception, it is definitely the most ingenious counterfeit of the century (Mantle & Noe Torres, pp54-67). Instead of perpetuating the polemic of the previous year, solemn UFO researchers ought to continue evaluation of the evidence and search for the truth. This might result to be the most provocative proof within the universe. Despite the prevailing faults wit in the Fox production of the film, the analysis rules out chances that the Alien autopsy were genuine. Ray Santilli alleged that the autopsy was initially filmed with the Bell and Howell Film 70 spring, physically wound camera. The difficulty arises when the film within this camera is commenced, the mechanical spring –driven film takes a while to come up to speed therefore moving slower via the camera (Farrell, pp29-39). But Santilli’s alien autopsy film exhibits no such hot flashes. Moreover, autopsies are filmed with a motionless camera unswervingly above the body to afford a whole view of the body and with continuous filming. Within the Santilli film, the cameraman moves continuously and regularly commence and stops the film, creating cuts within the action at fundamental points. Santilli also alleges that the film was shot with an 85 filter but this make no logic in regard to the 85 filter color filming and Santilli’s alien autopsy film is hot in black and white (Mantle & Noe Torres, pp54-67). Thus, genuineness of the underlying film comes in the film itself and the corresponding procedures that were employed. Work Cited Farrell, Joseph P. Roswell and the Reich: The Nazi Connection. Kempton, Ill: Adventures Unlimited Press, 2010. Mantle, Philip, & Noe Torres. Roswell Alien Autopsy: The Truth Behind the Film That Shocked the World. Edinburg, TX: RoswellBooks.com, 2012. Print. Read More