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Poetry books - Essay Example

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Name: Course: Tutor: Date: Spatiotemporal Inscription of Christ’s Last Will in the “Short Charter of Christ” A semiotic analysis of the “Short Charter of Christ” (Testamentum domini) will necessarily reveal that the charter-image is essentially a visual illustration of the theme of the poem or text of the charter…
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Download file to see previous pages The “Short Charter of Christ” employs a number of imageries which centrally focus on the development of the grand-imagery of crucified Christ. This imagery of the crucified body of Christ further conveys a holistic abstraction of Christ’s physical sufferings in exchange for the salvation of humanity. On the contrary, the image of the charter visualizes this grand metaphor through the triadic relationship among “signs”, “interpreters” and “ideas” which those signs are intended to convey to the audiences or readers. The scribe of this image has effectively employed a number of signs of physical sufferings such as five wounds, the nails, the “scourges of his attackers”, stains of blood, bones and skulls, etc. to conjure up Christ’s sufferings and to convey his pains to the readers. Through these symbols, he has attempted to visualize spatiotemporal settings of Jesus’ crucifixion in the mage, while the poem uses various imageries develop the traditional Christian concepts of humankind’s salvation and liberation through Christ’s suffering on the Holy Cross. Indeed, during the medieval period, it was a literary tradition of referring to Christ’s Last Will in Manuscripts. But some of the charters of Christ had been produced in the form of legal documents. In these charters, the scribes would make sincere effort to convey a sense of legality of the documents to the readers. Therefore, the scribes had to apply a number of techniques in this regard. These techniques include literary-visual binary techniques of presentation of the theme. While presenting the theme of the documents they would attempt to instill the spatiotemporal dimension of their subject matter. Necessarily, they had to assume the persona of Christ in their manuscripts. While Christ’s persona was worked out through linguistic strategy of using the first person perspective in the presentation of the literary content, images were used to illustrate and visualize Christ’s figure. These pictorial presentations of Christ would more or less commonly uphold him in the posture of delivering sermon to his disciples. In this regard, it can be said that the pictorial presentation of Christ’s persona in the “Short Charter of Christ” is somewhat different from this tradition. Instead, the scribe of the “Short Charter” has adapted and elaborated the image of crucified Christ to visualize the theme of the poem. The “Short Charter of Christ”, had been written as a legal document in which Christ grants humankind the liberation and redemption from sins. This charter has a root in the medieval practice of writing religious documents in parchments. More specifically, this is the imitation of Christ’s Last Will and Testament. In order to work out the spatiotemporal dimension of Christ’s physical sufferings, the scribe has endeavored to convey the sense of Christ’s physical sufferings through the images of the cross, crucified Christ and other elements needed in the process of crucifixion. These symbols and images of crucified Christ nailed on the cross are sufficient enough to work out the realities which Christ himself faced. But in order to validate the legal dimension of the texts, those medieval script-writers would manipulate the imagery of Christ’s skin extended to serve as a parchment on which Christ’ ...Download file to see next pagesRead More
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