The novel Picture of Dorian Gray and the thesis “Economy,” from Henry David Thoreau's Walden have completely different ways of presenting the same thesis – that materialism is generally bad, and leads to a shallow and unfulfilling life…
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The way that Dorian presents this basic theme is through, essentially, satire. After all, in this novel there is the famous quote that “nowadays, people know the price of everything and the value of nothing” (Wilde, 28). Dorian, himself, leads a casual life that is completely unfulfilling to himself, even though he has extreme beauty and wealth, and his beauty was such that it literally would never fade. He has all the material goods that a man could want, and the world at his feet, yet Dorian is extremely unhappy. This unhappiness is shown through his casual cruelty, such as his cruelty to Sybil Vane and his apparent cruelty to many others, although this cruelty is not explained thoroughly. There is the indication, however, that Dorian had made himself quite infamous in society, a point that was driven home by Hallwell, when Hallwell paid Dorian a visit because he was concerned about him. Dorian also was fascinated by cruelty and hypocrisy, reading endlessly about wealthy people throughout history who used their power for evil deeds, and were not apparently happy, even though they were given much in the way of material wealth. Therefore, it seems as if Wilde is making the point that, to put it in cliched terms, money does not buy happiness. Dorian was miserable, and Lord Henry didn't seem much happier, even though the two men were wealthy beyond measure and would be considered one of the “beautiful people” in today's society. Wilde portrayed the desperate inner lives of the idle rich by showing this desperation through the eyes of Dorian Gray. As noted below, Wilde also portrayed this desperation of the rich by Lord Henry, who made the point that society is like Dorian – society is what knows the price of everything and the value of nothing, and this is what makes society susceptible to Dorian's charms, while also being a corruptive influence on young Dorian Gray. Henry David Thoreau makes the same claim in “Economy,” but makes it in a totally different way. While Wilde recognizes the corruptive influence of materialism and wealth on society, and points it out through potent satire, Thoreau also recognizes that materialism and wealth is corruptive upon society, but made his point not by portraying a person in the throes of excess consumption, but by going into the woods and living a life that is completely different from a life that is dictated by materialism. Thoreau demonstrated that spiritual bankruptcy of a life dictated by possessions when he decided to live in the woods by himself and to try to make a life there that is simplified. Thoreau recognized that when people want material goods, and they feel the need to acquire, they must sacrifice parts of themselves – namely they must take on worry and constraint by taking a job that they may hate, simply to keep up with the Joneses. Financial worry is also something that would dog these people – that could be seen in modern times by the people who have overextended themselves in credit card debt so that they can have the latest big
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Nowhere in the book is this theme best exemplified than in Henry’s comment to the effect that “because you possess marvelous youth, and the youth is a thing worth having (Wilde, 1908, pp. 29)”. Today’s, both the youthful and the aging would perfectly relate to the book’s character, Dorian Gray, who strongly believed and propagated for perpetual youthfulness.
On the other hand, slaveholders can simply be referred to as those who own slaves. Both the slaveholders and the abolitionist movements were a minority in the mid 19th century America. The main focus of this paper is to highlight the arguments fronted by the two camps, and analysis of the impact to the rest of the world will also be discussed in this paper.
Both novels concern handsome young men. In both novels, there is an embodiment of evil – Mr. Hyde in Dr. Jekyll and Mr. Hyde and Dorian Gray’s portrait in Dorian Gray. There is a dual nature in Dr. Jekyll and Mr. Hyde, and, in Dorian, there is not really a dual nature – Dorian is pretty much all bad, although he often states that he wants to be good – yet there is a dual image.
The author talks of Dorian Gray, a young, enticing and beautiful character with a shallow philosophy and a high self-esteem. Basil Hallward, a friend to the Dorian, designs a portrait of Dorian Gray. When Gray comes across this outstanding picture, he makes a wish that he could maintain his youthful looks as the picture and avoid the aging effects on his beauty.
However, this novel proves that external appearances do not reflect what's inside a man. While Dorian himself appears to all as ageless and gorgeous, his actions are horrifying and scandalous. With every bad choice, his soul becomes more and more twisted, and the painting, hidden away in his attic under a tapestry, grows uglier and more demented.
Who killed Dorian Gray Would even Dorian wish to lay the blame on the Picture that he hides in a dark room because it mercilessly records the blemishes of his character on its exquisitely painted surface The Picture actually warns him when it reflects in a sneer all the iniquity of his first act of cruelty-his selfish rejection of Sibyl Vane.
This essay also discusses Frankenstein (1818) or the Modern Prometheus which is a novel written by a British author Mary Shelly. The novel has arguably spawned a complete genre of horror stories and scientific fiction. Early critics greeted the novel with praise and disdain. There are more differences between the movie and the book than there are similarities.
He is willing to sell his soul to get everlasting beauty and youth. He himself declares, “Yes, there is nothing in the whole world I would not give! I would give my soul for that!”. In the very first meeting in the
This essay analyzes that Dorian’s sense of morality can be explored through his relationship with Lord Henry Wotton. It is on a fateful situation that Basil Hallward, an expert artist who painted Dorian’s portrait, introduces him to Lord Henry. In Lord Henry, we can identify an elegant, witty and intelligent individual.
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