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Metropolis Movie - Essay Example

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Metropolis Date Introduction The movie Metropolis by Fritz Lang is a revolutionary entity in the world of cinemas. It was produced in 1927 under quite a considerable fuss and budget during the time. It is a stand out classic touching on a vivid occult theme that is worth every attention…
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Download file to see previous pages It was quite popular and among one of a kind movie to ever grace theatres and cinemas. Fritz Lang was a master of expressionism in German. This shows why he adopted and directed such an ambitious and eye catching movie to air in the 1920s. He adopts a futuristic dystopia that has two distinct approaches. The distinct classes are that of workers and thinkers. The movie depicts struggles between the two conflicting entities. It incorporates symbolism to a large extent. That said, the sci-fi perspective that is shown in this movie does not come close to defining reality. The fact that it was set in 1927 makes it seem eerily near reality. This is one of the many distinctive features with the movies of current times. However, the blame does not fall on Fritz as the provisions of that time only possessed the characteristics that feature in the movie. It is a good trial to depict reality. The visual impressions created are laudable though there is a considerable change and advancement of the same since 1927. The movie is credited as having taken up a large amount of resources to make. In fact, it was the biggest budgeted movie in Germany during that time. There is a critic on the issue of budgeting. The movie was shot for a period of 310 days (close to a year) with an unmatched production design and members of the cast summing up to 36,000 extras. This is the reason why a huge amount of money was used up in its production. The amount spent on this movie translates to a better visually and acting equipped movie in current times. There is no denying that acquisition of the provisions that facilitated production of metropolis at that time was an expensive endeavor. There has been progress in the budgeting of movies of the same kind such as metropolis. They are not as demanding and the provisions are readily available. The movie world has instituted favorable technologies to oversee the production of science fiction movies. Similarly, the movie world has developed ways to manage the number of cast involved in the –production. Current science fiction movies certainly do not use such a huge number of extra casts. This means that production of such a movie in recent times is not a pioneering practice as in the case of metropolis. The cast are continuously being reduced to a manageable level and the rest of the cast requirement facilitated by technological features. Therefore, cost effectiveness in production of science fiction movies has been noticed over time since 1927(Lopate 22). . The movies possess a commendable attribute of linking science fiction with common and existing phenomena. This attribute is not common with movies of such kind in current times. The movie captures the conflicts of two groups. The workers are depicted as mentally exhausted and submissive. They walk in crowds creating the impression that they can be easily deceived. The masses are portrayed as incapable of challenging for anything. This description of the masses by Fritz Lang, coincidences with the notion created by leaders of that time. For instance, Hitler is quoted as saying “How fortunate for leaders that men do not think”. Other politicians also viewed the description as worth accreditation. This is a physically approved attribute that assures the movie plot is quite relevant to the social and political settings of that time. However, this does not mean that current science fic ...Download file to see next pagesRead More
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Compare two german films. Metropolis by Fritz Lang and Nowhere in Africa by Caroline Link
It is set in a future time, in an urban dystopia and uses this setting to make use of the context to explore most of the social crises that exist between owners and workers under a system of capitalism. It is a reflection on how human beings may be forced into automated systems that they forget themselves but at the same time erupt because of oppression1 Nirgendwo in Afrika, German for Nowhere in Africa, on the other hand, is a German film of 2001 that is based on an autobiographical novel written by Stefanie Zweig by the same name.2 It is the story of a Jewish family that emigrates to Kenya during the Second World War to escape the Nazi regime in Germany.
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This movie has 2 science fiction aspects, the underground factories, the underground workers' housing; and the robot/android, Hel. An evil scientist by the name of Rotwang invented Hel, robot that will take place of the human workers in Metropolis. The only problem with the robotic Hel is that the scientist gave her a human-like intelligence.
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t futurist tradition, the city Metropolis, which is accentuated by huge towers and vast wealth, is a concourse to a ruling elite living lavish lifestyles and decadence. They and Metropolis are taken care of by a much bigger populace of workers who labor as essential slaves in
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Article response about a movie
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Anxious because of timely and up-to-date problems which this movie shows. Metropolis is also an enigmatic and mysterious film because it depicts human problems which cannot be
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The industrial revolution inspired the cold, mechanical, industrial Metropolis of Fritz Lang’s expressionistic movie where machines controlled the repressed, impoverished masses. “The digital revolution” by then, “had enabled the mass to become the wired multitude” (Wynants and Cornelius, 268).
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The film is set within the huge, expansive revolutionary metropolitan area, where the general public is segregated into two classes: one of planners and administration, who reside in lavish skyscrapers and one of workforce, who live and work underground. Analysis Metropolis, a tale of class great effort with sacred connotations, is set in 2026.
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