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About Love: An Interpretation of Multi-Dimensional Views of the Topic of Love Using Chekhovs Short Story as a Vehicle of Analysis - Essay Example

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About Love: An Interpretation of Multi-Dimensional Views of the Topic of Love Using Chekhovs Short Story as a Vehicle of Analysis

About Love: An Interpretation of Multi-Dimensional Views of the Topic of Love Using Chekhov’s Short Story as a Vehicle of Analysis

The first of these is a form of what can only be described as violent love/domestic abuse. The main protagonist of the story, Palegeya, is a young woman who experiences domestic abuse/violence at the hands of her husband – Nikanor; referred to by Chekov as “the Snout”. In this way, Chekhov presents to the reader an example of nonsensical/illogical love that cannot be understood or even defined by anyone in the relationship other than Palegeya (Chekhov 7). In this way, Chekhov makes a tacit admission that love is of course blind and oftentimes indecipherably difficult to categorize or understand. Although such an admission is of course in line with the way in which many people currently think of love, it should be noted that for the society in which Chekhov lived, to admit that there was such a nonsensical nature that helped to define love and keep two otherwise incompatible people together was not necessarily a stretch of imagination as much as it was a rather unspoken truth. In keeping with a very negative view of the world and of love, Chekhov goes on to analyze the second dimension of love that is exhibited within his short story. This second dimension represents the equally deplorable aspect of greed that is oftentimes inexorably tied to the way that love is often exhibited within society. Naturally, greed was also a key determinant of the “love” that was

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oftentimes attributed to society of Chekhov’s time as arranged marriages and marriages of convenience and social status were the norms. In many ways, the story that Chekhov relates with the greedy and self indulgent woman is only perpetually driven by a concern for money and has little if any regard for the love that her husband so tenderly devotes to her. Again, as with the first story, Chekhov is relating a situation of one-sided love in which one partner expresses kindness, love, affection, deep emotions and all, or nearly all, of the actions that are born out of the emotion of love whereas the reciprocating partner is all but dead to the displays of affection. The final segment of the tri-dimensional view of love that Chekhov seeks to relate revolves around a situation of un-requited love. Such a concept of love is of course one of the earliest that has been expressed within written sonnets of the Western world. However, Chekhov has a new take on the old theme in that rather than the two characters being somehow high and noble characters in a fanciful kingdom living the fantasy of a consuming love that cannot be reciprocated, Chekhov’s character is a lowly peasant who falls in love with a girl of what can only be described as a medium status. As much as Alyohin loves and seeks to woo Anna, his efforts are rebuffed and entirely wasted as she sees little if anything spectacular in such a vaguely boring man as Alyohin. Naturally, the story itself serves as yet another warning to the reader that the happy endings that one might necessarily expect from such a story of initial disappointment and sadness are not always the end result. Although there is not a unifying mark of connection between the three stories, they each seek to define and
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Summary

Whereas love has more often than not been a key component of literature and the short story due to the fact that it is one of the most nuanced and seemingly incomprehensible of emotions, Chekhov considers the issue of love in his short story “About Love”…
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