Making Sense of Antigone Antigone is one of the most memorable female protagonists in classical Greek literature. Her story, depicted in many versions tells of a tragedy of a young girl who defied a king in order to bury his brother with dignity. The character is powerful and this is not only because she rebelled against one who represented power and order but that she did it alone…
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Polynices did not agree to this and waged war against his brother where he was killed. He was declared a traitor and refused burial as punishment. In the play by Sophocles, Antigone buried her brother in defiance and was captured and punished for the act. As a consequence, she was buried in a cave as punishment where she eventually hanged herself. To say that Antigone is tough is an understatement. She was a woman and when she decided to act according to her own sense of morality, everyone she knew refused to help - her sister Ismene, the Nurse, her lover Haemon and the city she loved. But it did not deter her. She single-handedly defied Creon and all the authority he represented. Some would say it is hubris, with the protagonist thinking that she is righteous and better than the rest of the pack, arguing that like her father, she was blinded by her own sense of self-worth and sense of justification. However, one must remember the context of Antigone’s circumstance. Her life has been consisted of numerous tragedies: the incestuous relationship of her parents, the banishment of his father and the killings of her brothers. Her family history has been marred with intrigue, betrayal and murder. Her devotion to her family has been widely accounted for in different versions of her story. Her fierce loyalty to her dead brother, hence, is not at all incongruent to what she is as a person and what she has become with all her travails. It is like the world has been steadily crumbling around her all her life and she desperately tried to navigate through it all by clinging to the only thing she knew she could do something about. There was a sense of powerlessness to her naivete but she struggled to break such weakness even when she died in the process. An interesting aspect about Antigone's characterization is that she was able to interact with all of the characters in the play. There was Ismene, Haemon, the chorus, Creon, and, of course, Euridice. Antigone has strongly affected each of these characters, making her rebellion contagious and effective at the end. She was able to change Ismene's point of view and actions in the latter stage of the play as well as that of Haemon's and Euridice's. These past two characters represented Antigone's (and her cause) most potent effect as they committed suicide after she died. The result was revolutionary. When Haemon found her body, he killed himself. And their absence, Euridice became the embodiment of Antigone's cause by standing up to her husband and showing him his errors. She punctuated her accusation by killing herself as well. As Creon was left alone, with everyone dead, both he and the audience were left with a heavily altered status quo and a final thought that the laws of men may be enforced or maintained but that it will crumble when it goes against the law go the gods. Literary characterizations are often elusive with regards to what concepts, motivations and symbolisms they represent. Antigone’s case is an excellent example. However, one must only look beyond the actions of the character in order to have an idea about her function, her intentions and the legitimacy of her causes. Fortunately for Antigone, we have the tragedy of her family. They serve as a backdrop for the arguments that justified her cause. In addition, one must also consider
According to the paper, this show provides a favorable image of the crime scene investigating unit and shows how hard these professionals work to solve criminal cases. It even shows that after the criminal investigation, evidence is taken into account and accordance to the evidence, trial takes place.
Before a response may be given to the question, two important terms must first be defined, the words “organization” and “machine”. Definition of “machines” and “organizations” Machines are creations of men. They are “an assemblage of parts that transmit forces, motion, and energy one to another in a pre-determined manner” with the purpose of performing a task (Merriam-Webster, 2012).
Today's tragic hero can be male or female, come from any stratum of society, can hold any job, literally be anyone. Along with these admirable amendments to the rules, however, have come other differences in defining that a tragic hero is. In contemporary popular drama, by which is typically meant film, the tragic hero-or heroine-has generally been downgraded to mean the "good guy" who dies in the end.
The heroine Antigone defines beingness - the ability to question, the willingness to fight authority and the readiness to take decisions in the face of dire consequences in attempt to lend meaning to one's own existence. The king Creon stands for the state -- the weapon of curtailment of human faculty, the oppressive force which can only question originality and not acknowledge it, the power that commands to conform and punishes the non-conformist.
She is extremely brave and believes that women and men are equal. She sees women as strong people and should be treated with fairness and equity. On the other hand, Creon appears to be very cruel, selfish and self-centered
Clytemnestra possibly murdered Agamemnon to ensure her survival and not to gain retribution for her past’s actions.
Clytemnestra’s actions are justified in the sense that they are not near what classical
The chapter starts off with the levels of meanings, i.e. common sense, science, transcendence and interiority. Interiority however is a significant level which is characterized by the cognitional processes of the self. Moreover, to make sense of the world, two things need to be considered, i.e.
The parable of the Prodigal Son is a useful philosophy because it shows us that as parents, we have to have the capacity to forgive the follies of our sons, even foolish and incompetent ones. God’s love and forgiveness are unconditional, and He is ready to take us back in his fold as soon as we show we have learned our lesson.
The ancient Greek play Antigone, written around 442 BC by the famous dramatist Sophocles, has become one of the world’s classics and has been widely published, performed and adapted in many languages and formats across the world. It is a memorable play, characterized by a background of death and destruction, and the strong figures of Antigone and Creon.
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