When Arthur Miller’s Death of a Salesman was written and produced in 1949, America was in the midst of profound and powerful tensions and contradictions. On the one hand, the nation had just won a major world war, bringing with an unprecedented sense of confidence, prosperity, and security. …
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Artists and writers like Arthur Miller, dissatisfied with the status quo, were influenced by existential philosophy and Freudian psychology, both of which took off in popularity during the post-WWII years. Death of a Salesman is a scathing criticism of the American Dream, which stated that success was equated with the collection of material goods and social acceptance. Miller, like many post-modern writers, was captivated by the psychology of Sigmund Freud, which defined human existence through the human consciousness. The Death of a Salesman has been heavily influenced by psychoanalysis as described by Freud. Salesman was analyzed by psychoanalysts almost immediately after its debut on Broadway in 1949. According to Susan Haedicke, literary scholars have always been fascinated with the psychological processes of the Lomans and have analyzed the play in purely psychoanalytical terms. As a matter of fact, many of Miller’s plays tend to lend themselves well to Freudian analysis. Willy Loman’s flashbacks, for example, are a type of dreams and full of Freudian potential. They have been discussed at length and are the cause of Willy’s friends and family’s concern for his sanity throughout the play.
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(Desire in Death of a Salesman Essay Example | Topics and Well Written Essays - 1000 Words)
“Desire in Death of a Salesman Essay Example | Topics and Well Written Essays - 1000 Words”, n.d. https://studentshare.org/english/1424934-desire-in-death-of-a-salesman.
Willy Loman is condemned as an outcast by the common trend among the readers. Therefore, the new generation of readers does feel nothing especially for the plight of characters like Willy Loman. The readers believe that the actions of Willy merit his destruction as portrayed in the play.
He permanently flees from reality seeking for consolation in reminiscences of the past. Nevertheless, even the past he is daydreaming of, appears to be not actual but imaginary. Willy likes to meditate upon what his and his kids’ lives would be. Nevertheless when it is up to him to take the course of action he fails to do anything to improve his condition.
The Lost Father In The Death Of A Salesman (Fix). The first impression audience gets from reading this title is that of disassociation, social exclusion and abandonment. This impression is intensified by the adage that immediately follows the title of the novel, which reads, “What we can’t see is more important than what we can see” (Brater cited in Fix).
Happy shares his father’s version of the American dream. As for Biff, his self-discovery comes with the realization that he loves his father as he is and with that realization, Biff feels free to be what he wants to be despite the demands and prescriptions of capitalist America (Uranga, 2008).
In this rhetoric play, Author Miller depicts Willy as one whose dreams have been disillusioned and still he is unable to embrace that that fact. The play introduces Ben’s character as an industrial and self determined philosopher who embraces ethnic individualism and business orientations of the industrial era.
Oftentimes, success and happiness relate to financial success. Working-class families, nevertheless, are more inclined to connect the American Dream with a happy family and enough money to raise their children. This paper believes that A Streetcar Named Desire by Tennessee Williams and Death of a Salesman by Arthur Miller challenge the existence of the American Dream for the working class.
Miller consciously undercuts several features of classical tragedy and his other writings prove that he felt the earlier models of tragic drama were unable to understand the modern situation. These models, based on the Aristotelian ideas of what constituted a tragedy, were unsuited for an articulation of the modern condition in general and the American one in particular.
In Arthur Miller’s Death of a Salesman, one realizes that fathers also suffer, and they suffer heart-breaks.
Courtesy from his experience from America’s Great Depression, Arthur Miller has wittingly worded his famous play, Death of a Salesman.