How Textile Shall Inform the Future of Architectural Space - Research Proposal Example

 Research Proposal: How Textile Shall Inform The Future Of Architectural Space The practice of interior design has increasingly become specialized. It has become an avenue for technological advancement for most designers. Through it, designers get a chance to make use of space, decoration, light and colour in coming up with new technologically appealing products (Koumis, 2000). Certainly, an overwhelming number of researchers have developed interests in this field (Quinn, 2009; Semper, 1989; Koumis, 2000 and Yoshiko, 2002). However, for various unknown reasons, as evidenced from the body of existing literature so far explored, these researchers did not focus on establishing the role of the textile practice within architectural space. Most studies in this field have focused on either textile or architecture with little concern on the connectivity between the two disciplines. It is undisputed that there is a clear role of the textile practice within architectural space. Therefore, there is need to investigate this relationship. This paper, therefore, proposes a research to be conducted on Analysis Of The Enduring Role Of The Textile Practice Within Architectural Space. The focus of the study would be on woven surfaces and their impact on space. This will be done with a view of questioning how textiles might inform the future of architectural space. Aim of the project. This proposed research is set to achieve a number of aims. Key among them includes: 1. To outline the role of the textile practice within architectural space 2. To highlight the impacts of woven surfaces on interior space. 3. To provide an understanding of how textiles might inform the future of architectural space. 4. To outline the role of designers in interior design, as well as the approach used by designers in materials. Research objectives. There are various objectives that this proposed research is set to achieve. First, the proposed study seeks to highlight certain key concepts in the study of textile and architecture and provide the inter-link between the two. Second, the study seeks to ascertain the role of the textile practice within architectural space. Third, the study seeks to highlight ways through which textiles tent to inform the future of architectural space. Last but not least, the study seeks to find out how woven surfaces impacts on space Background information. Ingold (2007) and Gabo (1999) were fond of roughing up the edge of events. This way, they represented a thing as being distinct from an object, a tangle or a bundle of fascinating lines. Figure (A) exemplifies the Gobo’s view of objects. Fundamentally, they seem to suggest that things seem useful and can be conceptualized as the fleeting material concentration in movement, but not as stable and fixed entities. The views of Ingold (2007) and Gabo (1999) were supported by other researchers, who hold that that architecture can be defined as building-of-an-object, rather than being viewed as building-as-process. Ingold and Gobo seem to be suggesting that architecture intertwines two vital elements rather than simply under the sky or on the ground. This implies that it is embedded in the thickness of boundary existing between objects. The idea behind their line of reasoning is that there exists a relationship between architecture and other disciplines including textiles. The vast history of textiles and architecture starts from their roles of providing protection in building envelope, shade, and shelter, the skin that often originated from the crudely stitched skins of the animals (Orban & Batchelder, 1995). The form, history alongside the expression of the physical woven construction, as well as the use of membranes, existed from the early light tent human habitation structures (Quinn, 2009). The significant of the link between these two disciplines does carry and allow complex imprints of cultural, personal, geographical and social influence. As noted in recent studies, Textile is a powerful medium known for being rich with aesthetic significance and symbolic meaning as indicated Gabo (1999). Both textile and architecture remain sources of manifestation of power and communication, as well as fibrous forms consisted in the present day interior textiles, fashions, communication technologies, vehicles and the cutting edge architecture (Koumis, 2000). As people increasingly become somewhat settled, along with erection of other solid dwellings, the use of textiles in architecture started being confined in the interiors and neglected (Yoshiko, 2002). One question that people have been seeking answers entails the extent to which textiles could continue serving purposes of visual, and weather protection following the development of insulation and mechanisms within build environment can be possible. Evidently, certain traditional textile structures and materials are still being used in certain parts of this world, for instance, covering over stalls and markets, and for basic protection. While reviewing the works of the nineteenth century, the German theoretician, and architect Garcia (2006) noted that textiles and architecture are of immense significance. He hinted that that the beginning of building closely coincides with the beginning of the textiles. Frampton (2002) on the other hand, emphasized on textiles while providing his own perspective of the interpretation of the origin of architecture. Textile processes were the main elements upon which the earliest structural artefacts were designed (Heidegger, 1975). Further, it is noted that architecture originated from primordial demand to bring out a distinction between exterior and interior spaces with fencing, and dividers made of benches (Semper, 1989). Commenting on the issue Clive (2011) noted that he had an understanding of the textile adaptability, arts, functional elements, as well as the transformable state. Clearly, lacking research on the subject of textile and architecture has made it quite challenging to ascertain the roles of the textile practice within architectural space. Carrying out this research would therefore, be important considering that it would help designers in not only benefit from the derived benefits, but also explore the new aspects in the two disciplines. Fig A (Gabo, 1999). Research method. In this study, data collection process would involve the use of two principal approaches. This shall be secondary and primary data collection. In using the secondary data collection method, researchers would collect data from previous and existing case studies on textile and architecture. While for the primary method, data collected shall involve direct visual observation. In this case, experimental research design would be the most appropriate design to be used in the collection of data. In particular, practice based experiments involving textile structures would be employed. As widely noted, Experimental design often utilizes a number of variables within one specific study. In this study, this design shall be appropriate considering it provides unbiased outcome and has no peculiar methodology. It is also reputed for its flexibility in the research. As often is the case, this design is normally an aggregate of analysis of data. It entails establishing quantifying variable relationships, and can be based suited for gathering data that are empirical on social science discipline. Additionally, with the use of a quantitative research method, an in-depth analysis can easily be archived that would satisfy the objectives of the entire study. For the secondary data collection, some of the case studies used would explore the existing woven structures. Other case studies would be on the Turkish rug. Evidence of primary research. In order to carry out primary research, which is the first hand evidence, the researcher shall visit the Pavilion with an intention of investigating the woven materials. This shall be done with the intention of identifying the effect of the woven structure to the interior space. In this case, primary data will help to provide first hand information concerning the area under study. The researcher shall gather data that relate to the Turkish rug. Moreover, the researcher shall visit materials library located in London, MADE, with an intention to explore various materials containing woven surfaces and to explore their impacts on the respective interior surfaces. In this respect, primary data refers to data that are from the researcher’s personal sources. This means that the researcher can boast of being the original collector or owner of primary data. Primary data are first-hand data but with a well conducted approach towards their collection is done the researcher can be assured of authentic data. In this case, the researcher shall conduct detailed checks into the professional background of the various study areas in order to form the basis of this research. The researcher shall then collect the sources and samples from the specific materials that are useful towards the answering of the research questions posed. Research ethics to be applied. Researchers are made to go through an array of ethical requirements. There is the need to meet professional, institutional, as well as standards for conducting any research related to human participants. In helping steer clear any ethical quandaries, this research would consider a number of research ethics. First, it would frankly discuss with participants the intellectual property. More often than not, academic competitive leads to trouble depending on who should be credited for authorship. The best way the researcher would consider in order to avoiding disagreements about whom to be credited, and using which order, the researcher would talk about the issues at the start of the working relationship with participants and ensure they are put in writing. This will act as a tool to help discus and evaluate the contributions during the research process. Secondly, the researchers would be conscious of professionalism of participants by selecting professional architects who have are rich in knowledge, and practice in the field. This could be achieved by avoiding relationships that might tend to impair the researchers’ professional performances or could cause harm to others. However, they will have to take note that many multiple relationships between the researcher and participants are not ethical especially if they are not to have adverse effects. When recruiting the patients as participants in this study, the researchers would have to think carefully before joining the multiple relationships with other participants. In this case, the researcher would act as lab supervisor, as well as a mentor and make sure he or she does not abuse the power to differentiate him or herself with participants. The researcher would make sure he/she outlines the nature and structure of mentoring before mentoring begins. The third code of ethics to be upheld during the study would be to make sure the informed-consent rules are strictly followed. Doing this properly, the consent process would ensure that the participants voluntarily participate in the research when fully informed of the relevant benefits and risks. Fourthly, the researcher would have to consider respecting the confidentiality and privacy of the participants. In this respect, the researcher would be keen at not to question about any personal issues like family, origin or politics. Respecting individual rights to confidentiality, as well as privacy is a key tenet for every researcher. The researcher will, therefore, have to discus confidentiality limits giving participants information about how their data will be put into use and also know the law of the state, as well as taking practical security measures. Last but not least, the researcher would state clear restrictions about age, gender, ethnics or believes. This would ensure reduced biases in the final outcome. Means of presenting research. The proposed research shall be a practice based project taking the form of various experiments with a view to explore the role of the textile practice within architectural space. Evaluation is a way to determine merits of a study, significance and worth by use of set criteria. It normally helps a researcher to ascertain the number of achievements according to the purpose of the study. Its foremost purpose is to facilitate reflection, and help in the determination of a change in the future. For this study summative, evaluation would be the best evaluation process for this study. This is because the summative evaluation is always conducted at the end of a study, and it is used to give out information of effectiveness and long term effect of a study. In order to have an assessment of the efficacy of the study, the researcher shall have to follow the following criteria. To start with, the researcher would determine whether the objectives of the study would have been achieved. The researcher shall develop the weaknesses and the strengths, policy, and theory of this study. The researcher should practice the implications of the study. Next the researcher would determine whether the ethical committee was approved and whether all the ethical considerations would have been achieved. The researcher shall also establish whether the groups that were used were comparable, whether the confounding factors were well managed, and determine whether the outcomes criteria gave out the required measurements. The researcher should also determine whether the follow-up period was sufficient to make the desired effects. If all this is put under consideration, then the researcher would be able to assess the degree of which her study was a success. Conclusion. The research proposal that has been described above in the thesis intends to present a custom solution to a problem that links textiles to architecture. It aims at creating a multirole environment suitable for designers to approach their work from a rather different but usual perspective. It is suggested that digital fabrication objectives can be inspirational and can be a driving force for the design. In order to make sure the feasibility of such approach is explored, a research should be conducted to ascertain the role of the textile practice within architectural space. A design oriented attitude and more holistic approach should be adopted in this research so that the primary research objective of finding the role of the textile practice within architectural space is achieved. Timely actions, inspired logistics, on-time deliveries, and professional engineering support, and resourceful problem solving are the attributes at all levels that architects, as well as textile organizations, ought to possess in order to achieve a successful design process. References Clive, E., 2011. Interior design a critical introduction. Oxford UK; Berg publisher Ltd. Frampton, K., 2002. Rappel a l’Ordre: The Case for the Tectonic, Architectural Design. London: Phaidon Press. Heidegger, M., 1975. Building, Dwelling, Thinking, in Poetry, Language, Thought, trans. A. Hofstadter. New York: Perennial Library. Ingold, T., 2007. The Conical Lodge at the Centre of the Earth-Sky World. New York: University of Nottingham. Garcia, M., 2006. Architextiles, Architecture Design. London: John Wiley & Sons. Koumis., M., 2000. Art textiles of the world. New York: Telos Art Publishing. Gabo, N.1999. Pioneer of abstract sculpture: Cambridge: Cambridge University Press. Orban, N, & Batchelder, A., 1995. Fiberarts Design. New York: Lark Books. Quinn., B., 2009. Textile Designers at the Cutting Edge. New York: Laurence King. Semper, G., 1989. The Four Elements of Architecture, in The Four Elements of Architecture and Other Writings, trans. Herrmann, Cambridge: Cambridge University Press. Yoshiko, W., 2002. Memory on cloth. 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