The Baroque Era Art and Modern Art - Essay Example

The Baroque Era Art and Modern Art It is apparent that the modern art has for a long time undergone continuous changes as the art industry continue to change due to inevitable influences from economic, political, social and religious factors. The world has seen massive transformations in the state of the modern art where it remains evident that contemporary art differs from art in the Baroque era. Regardless of these changes, the current trends in the modern art draw their roots from the art practiced in the Baroque era.

According to Craig Lockard (451), Baroque artists placed more focus on new perspectives such as movement, amplified light, tension, decorations, and strong emotions to produce the various quality artworks. The enlarging horizons of thinking created by the Renaissance and Reformation resulted in an extravagant and, as considered by many people, outrageous artistic movement in the 1600s (Lockard 451). In the modern art, artworks are made powerful by the use of current features such as color, form, and line to come up with often violent paintings that are both indications of creativity and uprising against convention.

The current group artists are said to be inspired by various French artworks and architecture and the theatrical Italian Baroque style art. Although slightly different from the Baroque era, the Greek myths also continued to encourage some prominent artists during the period beginning the 20th century. In conclusion, the end of the Baroque era perhaps, had a significant impacted on the modern state of art since it ushered in a new age of ornamentalization. Various forms of art such as painting and décor both opted to involve ornaments including the common paintings such as “the Garden of Earthly Delights.

” As a result of forces causing a drift from the Baroque period, painters and sculptors also shifted from producing overdone artworks back to producing more sleek, modest and sharp finish. Work Cited Top of Form Lockard, Craig A. Societies, Networks, and Transitions: A Global History. Boston, MA: Houghton Mifflin, 2008. Print. Bottom of Form