In this paper, the main focus will be to make sense out of popular music in America and how the same has shaped the history and cultural background of Americans. The study will particularly focus on the 20th century popular music…
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The American Popular Ballad of the Golden Era, 1924-1950. Princeton: Princeton University Press, 1995. In this work, much emphasis has been put on specific individuals that perform and work on popular music. In addition, the work has focused on a specific eras in which popular music were at its best in America. The book reveals what propelled people to start singing and performing popular music. These factors taken into consideration, the work is good enough to address the issues of American identity through popular music. Fuld, James J. The Book of World-Famous Music: Classical, Popular and Folk. Foreward by William Lichtenwanger. New York: Crown Publishers: 1966. This book looks at a wide range of music in America and their artists. The important information given about such music and their artists is imperative in the tracing of American identity through music. Among the cultures explored in this work are classic, popular and folk. As such, I found this book imperative in the writing of this paper. Grove Dictionary of American Music. Restricted database available online at through some schools and colleges. This source has a lot of information on the artists of popular music from the composers of songs to the performers. The information included is the bibliographic works for the artists. This makes the book significant in researching on the American identity through analysis of bibliographies of the composer and performers of pop music. Hamm, Charles. Yesterdays: Popular Song in America. New York and London: W.W. Norton & Company, 1983. Of significance about Charles’ work is that it concentrates on major works. Through the information found in this book, it is easy to establish the wave movement of Americans to the initiation of popular music. As...
The paper tells that popular music in America took on a transformation in the second half of the 19th century to emphasize commercial expansion. This overlapped into the twentieth century and traces can still be seen in today’s popular music. As a result, the expansion of the music industry meant that more songs had to be composed, staged, produced and listened to in the entire country of the United States of America. In the first place, popular music was restricted to ethnic minorities or immigrant people to express their dissatisfaction in the manner in which the government was running social and economic matters in the country. However, commercialization expanded the market for such songs as well as thematic implications attached to the songs. On the other hand, Jewish artists incorporated segments from their tradition into the American music. This is well illustrated when Sophie Tucker performed her pop song “My Yiddishe Momme” which was staged in 12925. The song was performed in both Yiddish and English. Additionally, the Afro-American values resulted into a sequence of characteristic song style. This made most of the African American performers to be enthusiastic and confident with the themes central to pop culture. Nevertheless, there was a change in issues that were held true to popular music by 1950. These changes were in the contradictions over the period in which such songs were performed. In the first place, some songs remained stable from one period to another. The rise of other genres in music performed and composed in America like rock and roll, blues and soul music has an overriding impact on popular music.
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