Computer-Aided Design for the Built Environment - Assignment Example

Digital presentation style XXXX XXXXX XXXX XXXXX XXXXXX XXXXXX X XX XXXX Digital presentation is the most up to date way of submitting data on projects and other uses. This information is digitally developed. There are several types of digital data presentation. The choice for the medium to use to present data is dependent on the content of the presentation and the audience to which the data is presented (Giaretta, 2011 Pg, 56-60). An architect will come up with a way of presenting his information in the best way he is suited and the method available. The choice of what style to use in presenting information is dependent on a number of factors. These different types of presentation have different characteristics. These aspects are as follows; 1. The content in the presentation should be balanced in reference to the medium of choice. A well balanced presentation will have only the important points that are well thought of on how they need to be. The way they are presented should also reflect the expected amount of substance that is required to be passed to the audience efficiently in the time available (American Institute of Architects, 2002, Pg. 50-65). 2. The layout applied in texting the information is important especially when the presenter will have to read. A good presentation has minimal on screen texts which are well programmed. These texts are used to offer assistance on what the presenter is saying (American Institute of Architects, 2002, Pg. 50-65). 3. Choice of and intensity of the colors used has an influence on the nature of what content is being presented. Too much color will make the whole thing hard to read and also difficult to notice fine details. Colors are used to improve the ability to read the presentation and give it an overall feeling. Good color choices improve concentration in the audience thus they participate in it (American Institute of Architects, 2002, Pg. 50-65). 4. The design used is important as it allows the viewer to focus on the key items in the content. An exaggerated and distorted design that includes fussy slides will distract the attention of the audience (American Institute of Architects, 2002, Pg. 50-65). 5. The effects applied should be of purpose and not to interfere with the presentation. The choice on what effects to use depends on how well they are intended to be applied. Animations and transitions should be well applied to give out results and not to misrepresent what the content was all about (American Institute of Architects, 2002, Pg. 50-65). The use of videos as a form of digital presentation is very common. They are used in situations where, the data is in large volumes and a huge audience is targeted. An architect may choose to use this style so as to present his work in a fast and precise manner. Videos are a combination of audio and motion pictures. These components go along together in a way that does not require the architect to illustrate to the audience (Michaels, W and Cantrell, B, 2010, Pg 20-50). Video presentations are hard to create because they require the architect to integrate the components in the finest way possible. This will be reflected in his presentation. The other method that is used by architects and delivers fine results is the use of Portable Document Files. This method is used in situations where still diagrams and texts are the main component of the presentation. This method can be used in presenting massive contents of data. The nature of the content allows for the architect to be involved in illustrating some of the content thus enhancing understanding among the audience (Michaels, W and Cantrell, B, 2010, Pg 20-50). The formation of designs in this type of presentation is easier compared to other methods. One of the drawing styles is the use of a pencil or lines that are embedded on a two dimension paper or plane. This is the most ancient form of drawing. In this format, lines are drawn to represent figures (Simon, 2004, Pg 10-15). The intensity of the lines gives the difference in the relative distance in the object plane and the material used (Ruskin, 2008 Pg, 2-10). Cross shading, hatching and other types of shading are used to depict different textures of objects in the drawing. This type of drawing is able to give the very fine details of any architectural drawing. In most cases, it is the starting point of all figures. Later on, other aspects are incorporated to enhance and advance the figures into different styles (Kelby, 2009 Pg, 22-25). a) Instead of using lines and shades in drawings, architects choose to use colors in their designs. The use of color is also combined with lines to display the intended feature. Colors are introduced onto a plain page and the manner in which they are indented, positioned and intensified gives the expected effect. This pattern of drawing can give rise to three dimension formats as it does not use free hand sketches, but predefined graphics or templates. These graphics are then aligned in their respective positions to make up the intended drawing. These two modes of drawing will give rise to work with a traditional look in them. This is because they are easily achieved by the use of simple techniques. They are the basis of all the drawing techniques and are the most original (Risebero, 1985 Pg, 40-42). They give a satisfactory beginning and offer a sense of style in them. This is because the details included therein are flexible. They can easily be altered or added to change the whole content. Unlike the lately used techniques, these styles are not accurate in their nature (Leonard, 2012 Pg, 50-55). This is because they are perceived through imagination and guess work. In order for them to become fully practical, they need to be adjusted to fit a particular set of specification. This is achieved through the introduction of scales in the drawing. a) In the traditional drawing, proportionality of the figures is not accurate. This diagram is not drawn to scale and thus, no actual measurements can be derived from it. The main technique used to enhance contrast is shading. The diagram is void of fine details as it can be seen in the digital drawings. There are no isometric techniques used. The dimension by which the figure is drawn cannot be determined. The diagram has no reference information on it and the scale in which it was drawn cannot be determined. Importance of a title block A title block is important in drawing because it gives the interpreter all the relevant information on the drawing. In addition it gives the reader the scale on which the drawing is drawn. This will help in determining how practical the project is in relation to the real structures. The title block displays the intended use of the drawing and as a basis for the signatures and stamps; it provides proof that the drawing is certified (Bovill, 1996 Pg, 29-35). The style of drawing The style of drawing applied in a structure is of great importance to the relevance of the use intended. In most cases, the style selected to portray a plan for certain figures is likely to disfigure the information included therein. It is noted that there is advancement in the styles used in the earlier times as compared to present times. These recent figures are better. Important elements in a drawing A line is important in any drawing. It is the basic requirement in any form of drawing. This is because it forms the basis of area in a drawing plane. From its simple application, the multiplications of lines contribute to the complexity of the drawing. The intensity of the line, varying width and direction convey information on the plane which they are drawn. The proportionality of one element in relation to the other, gives the whole drawing its intended look. The perspective gives the illusion in the difference in distance in objects in the plane (Reynolds, 2011 Pg, 38-44). Personalizing a drawing Drawings are personalized by adding missing important details and maintaining a number of aspects. The perspective has to be maintained. In changing this, it will require one to change the whole drawing. The color intensity should rhyme with the original piece. When adding details, the scale should be taken into account. Adding a figure that is out of scale will damage the architectural features. References American Institute of Architects, 2002, Architecture: the AIA journal, Volume 91, Washington: American Institute of Architects. Michaels, W and Cantrell, B, 2010, Digital Drawing for Landscape Architecture: Contemporary Techniques and Tools for Digital Representation in Site Design, New York: John Wiley & Sons. Simon, D, 2004, Digital Photography Bible, Chicago: John Wiley & Sons. Kelby, S, 2009, The Digital Photography Book: The Step-by-Step Secrets for How to Make Your Photos Look like the Pros, Oxford: Peachpit Press. Leonard, J, 2012, Landscape Architectural Graphic Standards Volume 27 of Ramsey/Sleeper Architectural Graphic Standards Series, Chicago: John Wiley & Sons. Reynolds, G, 2011, Presentation Zen: Simple Ideas on Presentation Design and Delivery, 2nd ed, Chicago: New Riders. Ruskin, J, 2008, The elements of drawing: in three letters to beginners, New York: Wiley & Halsted. Giaretta, D, 2011, Advanced Digital Preservation, Chicago: Springer. Warren, B, 2012, Digital Photography: An Integrated Approach, California: Cengage Learning. Risebero, B, 1985, Modern Architecture and Design: An Alternative History, Massachusetts: MIT Press. Bovill, C, 1996, Fractal Geometry in Architecture and Design: Design Science Collection, Oxford: Birkhäuser. Sketches used Read More