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Michelangelo began work on the new sacristy upon the Pope’s approval in 1533 with the curving of the sarcophagi and sculptures that were to appear on the chapel walls. The sculptures were to serve as funerary shrines to the Medici. The strength of curved Michelangelo's sculptures reflected an intricate symbolism of Human Life. Based on the symbolisms, contemplative life and active life interact to liberate the soul after death. The philosophical concept was closely linked to Michelangelo's own spiritual beliefs.
The architectural prowess displayed by Michelangelo, within the new sacristy was simply amazing. In the new sacristy is where one can see Michelangelo’s prowess as an architect rather than a sculptor or painter. The construction of the structure was inspired by the design of the pantheon dome located in Rome. The domed ceiling in the new sacristy was a replica of a scaled-down version of the pantheon dome. Michelangelo admired the beauty, harmony, and elegance displayed within the pantheon dome and this he used as an inspiration in the new sacristy construction and design. It is at the entrance of the new sacristy where the tombs of Lorenzo the Magnificent and his brother Guiliano lie in a simple stone coffin.
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