Being influenced by Filippo Brunelleschi - Admission/Application Essay Example

Brunelleschi's medieval contemporaries each possessed distinct imaginative traits of their own in a period where the majority of European nations paid high reverence to spiritual, artistic, as well as intellectual aspects of living. Losing the competition to Lorenzo Ghiberti on the schematics of the bronze doors for the baptistery must have caused him a great deal of disillusionment toward his potentials so whenever I would stop to wonder how Brunelleschi managed to get it over with, I am all the more encouraged to appreciate the idea that imperfections in creativity are a means to mustering strength for accepting weak attributes and being flexible to entertain new alternatives.

            It is not merely Brunelleschi’s love and passion for craftsmanship that creates significant impact as one judges the measure of refinement in his work. Apparently, I could sense so much freedom and humility in his remarkable engineering of the ‘Duomo’ of Florence for every fine detail of the construction speaks of a lyrical struggle with hardship that involved tons and tons of Masonic patience. Besides his technical and mathematical aptitude, I suppose that the way by which Brunelleschi exhibited his structural endeavor depicts the artist’s humble acknowledgment of the truth with respect to the interest of time and critical reality. Based on a similar experience, such values are capable of building a character whose overflowing concepts readily materialize, and to me or any sensible architect-in-the-making, this is quite visionary.

            With the completion of the dome for the Basilica di Santa Maria del Fiore in Florence, the accomplished commission of Brunelleschi which almost nobody thought would be relieved of impossibility signifies more than a genuine masterpiece. To this extent, one understands why Renaissance deserves to be pertained to as the ‘Age of Enlightenment' because of geniuses like Brunelleschi whose contributions to the period are as colossal as the wonders conceived and persevered for at the time.

            Being influenced by Brunelleschi has taught me to challenge my approach to forms and styles as I gradually learn the essence of crossing borders to strategize outside of the typical. More than gaining a rare fascination with the Gothic and the classic after his perspective, I have developed the enhanced capacity to allow consistent faith in my abilities and in working interdependently with other students of the field who, in the process, would help unravel fresh insights and possibilities. This way, I am positive and hopeful in traversing my own career path just as Brunelleschi did in modeling how to achieve the proper balance between intellect and emotion in innovative architectural learning toward the acquisition of mastery aimed at the heart of a marvelously structured goal.