Psychedelic Rock Concert Posters - Essay Example

341596 Iconographic Vocabulary and Visual Strategies Used In Posters Addressing Various Social concernsDayglo Koans and Spiritual Renewal:'1960s Psychedelic Rock Concert Posters and the Broadening of American Spirituality The much influence of Eastern approaches of liberation including Taoism and Buddhism was conspicuously used in creative activity of such a vibrant as well as visionary subculture in Haight-Ashbury district in San Francisco. Psychedelic rock concert posters were used to influence the eastern mystical philosophy as far as the visual rhetoric concerns of the posters in addition to its cultural effect was concerned as it radiated outwards from that point of view.

These posters expressed some visual elements including iconography and visual styles as well as an attempt to visually represent the paradoxical reasonable central to the clarification exposure of these mystical religious traditional practices. During this time in Haight-Ashbury, some energetic dropouts were involved in redeveloping the laws regarding their community and cultural practices. There were kinds of agreed upon art, music, literature, religion, lifestyles as well as social patterns (Albright 234).

This brought about the capability of all of this aspects being combined into some fresh kinds which could have no limitations. With the superficial trappings of the happenings going to influence the styles and famous cultures of the world, most of the participants felt that there was no deeper import in this practice. One of the most influential rock guitarists of that time, Gary Duncan and his band moved out of that culture citing that the culture was something different that the people never understood.

What was underground was more than what was not known. The rock band who were seen to be forefront on several reordering carried out in the society, most of the philosophical changes were seen more in the body of the posters that the artists produced as they were advertising their concerts. The rock bands turned out a big series of the images which called for changes in the musical, social and cultural creations happening during that time. The posters were used to rewrite the language of the recent graphic arts.

The unreadable and swirling lettering features of the posters carried some psychedelic cultural relations to fresh generations. The posters acted as more than just advertisement job; the expressed the beliefs as well as experiences linked with the subculture that they were created upon. Most of the central aspects of the beliefs came from a dialog between themselves and the Asian art and thought influence especially from Eastern mystical philosophies like Vedanta, Zen and Taoism. Through this, Art and culture has created chance for some fresh lines of the possibility for considering images to be part of the social context.

Visual culture has came out as an interdisciplinary terrain which moves across art, history of art, studies, rhetoric as well as other scholarly areas of study.This draws on a conceptual theory of visual consumption in trial to indicate the way in which cultural codes as well as representational conventions provide information for marketing images and cultural practices. It infuses them with some historical as well as rhetorical presence. The analysis of this posters gives an inter disciplinary way of comprehending as well as contextualizing images which provides us with crucial concerns as we create a cultural centrality of vision.

The posters further give one clear picture of how they embody and express some cultural values. The posters employed as means of marketing communication calls upon the ideology of the rock group portraits as a visual approach of representing their identity as well as their belief (Albright 234).Work CitedAlbright, Thomas. Art in the San Francisco Bay Area, 1945-1980. Berkeley: University of California Press, 1985.